Anatomy of THE Groove 4/11/14: Andre’s Pick-Ronnie Laws “Live Your Life Away”

The entire purpose of this column began as a means by which to showcase the presence of funk,in its many forms,within music released just before or after the new millennium. In the case of today’s song,I am making a huge exception. The reason for this is to make a point about the message behind funk music itself and how it effects people in society. The message in the music is a very liberating one. So often one hears songs such as Earth Wind & Fire’s “Singasong”,Roy Ayers’ “Everybody Loves The Sunshine” or Kool & The Gang’s “Love And Understanding”  and has a romantic vision in their minds of the 1970’s as being a thoroughly incredible time frame. I include myself in having has such visions.

Historically however,the 70’s decade had many similarities to today. The Watergate scandal created mass cynicism about political change for the better among a generation,an fuel shortage made transportation and even the pressing of vinyl albums themselves a difficult matter and poverty continued to broaden across America. That presumed “incredible time” comes from the fact that the popular culture,the funk era in particular,responded generally with hope for the future and encouragement for the present after the more paranoid outlook of The O’Jays “Backstabbers” or Undisputed Truth’s “Smiling Faces Sometimes”. And I cannot think of a song that encompasses this ethic much better than Ronnie Laws’s “Live Your Life Away”.

Musically the song,produced by EWF’s Larry Dunn and featured on the end of Laws’ 1978 album Flame,the song is instrumentally an very encompassing mixture of the sleekly produced band sound that one would hear from an EWF recording. On the other hand the instrumentation is based around a glistening,high pitched and chiming synthesizer solo with a strong and slinky bass synth set both beneath and all around it. So in terms of the playing style in general, the approach is a lot closer to that of Stevie Wonder-all coming together for that synergy that create an instrumental stamp unique for Ronnie Laws’ music. On the other hand on the chorus,the chords of the songs change to a basic blues hook-matched by the smooth 12-bar blues guitar riff courtesy of EWF supplicant,the late Roland Bautista. This perfect matches the duel nature in the mood of this song.

And this songs duel lyrical nature comes from the lyrics. On the rather melodically bright vocal refrains,the message is one that is sorely needed from popular music in today’s workaminute world-basically to “push ahead but don’t move too fast” and that people can spend too much energy and time “pursuing pleasures that really never pay”. The songs message is not only uplifting but extremely practical as it encourages balance over struggle,genuine relief of stress over denial. At the same time the chorus warns that this is so important to do because “you can live your life away”-instrumentally accompanied by the classic blues riff. And though this song represented something of a “so long” to the original funk era? It is the idea instrumental and lyrically conceptual funk direction for modern musicians to take in a society where the extremes of apathy and frustration and strong allegiances to social/political parties offered up as a confusing mixed message. As George Clinton said, funk not only moves but can remove. And today this type of groove would be just what the doctor ordered.

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Filed under 1970's, Disco, Earth Wind & Fire, Funk, Jazz, Late 70's Funk, Ronnie Laws, Stevie Wonder

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