Anatomy of THE Groove 4/11/14 Rique’s Pick: “Magnificent” by Steve Arrington & Dam-Funk

 

Steve Arrington and Slave, are one of the more underappreciated pure funk groups from a pop standpoint. However, in Urban communities, for a certain late Baby Boomer and early Gen X funk audience, they’re right up there at the top with Prince, Rick James, Cameo, and others who were hot in the late ’70s and ’80s. Lead vocalist Steve Arrington originally joined the group as a drummer, but his unique nasally, well enunciated vocals were discovered during the recording of Slave’s 1979 disco-funk classic, “Just a Touch of Love.” Arrington went on to make several important records himself, including “Weak at the Knees” and “Dancing in the Key of Life.” Arrington is a first rate drummer, of a heavy jazz fusion bent, and his vocals are very unique, influencing such later day artists as Keith Sweat. Arrington is also a pastor and imparts a positive, upbeat spiritual message to everything he does, encouraging and uplifting people.

Dam Funk of Stones Throw Records, the master of a genre he’s innovating called “modern funk”, did an album this past year with Arrington.  The album is a triumph of fat bottomed, big beat, West Coast funk, with Arringtons nasally, silky, langourous vocals motivating, serenading, and persuading. Dam Funk’s funk is clearly a West Coast vibe, and extension of the G Funk of Dr. Dre, DJ Pooh, Battlecat, Above the Law, E-40 and Too $hort, all West Coast Hip Hop artists who used instrumental funk to back up their raps, based on the late ’70s synthesizer “video game sound” of P-Funk, the music of Roger and Zapp, and several other artists who’s sound made up a transitional early ’80s funk sound called “Boogie”, a bridge between the disco-funk of the late ’70s and the electro-funk and freestyle of the mid to late ’80s.

“Magnificent” is a dreamy, heavenly ode to a special lady from Steve Arrington and Dam-Funk’s album, “Higher.” The track begins with a big, solid drum beat, reminiscent of a fat boogie beat like One Way’s classic, “Cutie Pie.” The hi hats play what I call a ‘Time Bomb’ pattern, tight, ticking 8ths, like the O’Jays intro to “Give the People What the Want”, minus the washed out reverb. Over the phat drumbeat, Dam-Funk layers his trademark synth pads, a bright, beautiful sound of discovery and new dawns. Dam Funk uses this pad sound to play the chord progression for the song, but it’s very dreamy and functions as sound as well as music. The connection is also there to the modern “chill” movement. It’s a sound very reminiscent of the Los Angeles life and sunshine.  The song also features the hallmark of the West Coast sound, fat analog bass. The groove is one that is great for getting going in the early morning or cruising around town with the top down.

Steve Arrington uses his plain, direct, well spoken lyrical style, articulated in his classy, well pronounced, crooning vocal manner. It’s a song of praise that is old school in it’s approach, how many R&B artists praise women these days? But it also has that modern edge Arrington has always had, “You know you treat your homie like a King/You know I treat my shorty like a queen”, “you’ve got that way/with so much swag/what can I say.” It works instead of falling flat because Arrington is a cool uncle, compared to other funk stars who’ve passed on to being father, even grand father figures. Arrington even delivers a spoken interlude toward the end where he rips off synonymous superlatives for “magnificent”, like “indefatigueable.” Most def a lesson in many ways.

Arrington and Dam Funk are doing a great thing here. The song is laid back Cali vibe , as is most of the album, and I was hoping for a little more of the dry, driving funk Arrington delivered on songs such as “Weak at the Knees.” But stylistic parsing of hairs aside, the pair deliver the goods in a positive, funky, chill way. Their album should be in the possession of anybody who needs good, positive kicking it music!

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2 Comments

Filed under Blogging, Funk, Late 70's Funk, Music, Music Reviewing

2 responses to “Anatomy of THE Groove 4/11/14 Rique’s Pick: “Magnificent” by Steve Arrington & Dam-Funk

  1. Beautifully written commentary on a wonderfully expansive and cosmically glossy electronic/boogie funk groove! Its always appreciated when the concept of articulately eloquent funk vocalizing and lyricism is touted. Especially with so many still touting funk as something “savage” or somehow “filthy”. This connects with a benevolently spiritual attitude in an 80’s style of funk,which is very important to bring out in people’s understanding of the music. Again much appreciated!

  2. Thank you very much Andre, this song is beautiful, rich, cosmic, glossy, high sheen, smh. I’m glad you dig it, I thought it’d be right up your alley

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