First time I ever heard Shuggie Otis perform was on an episode of Conan O’Brien in 2001. It was when his Inspiration Information album was reissued on Luaka Pop and suddenly there was an enormous demand for new music and performances by this once relatively obscure artist. Finally over a decade later we got that when Shuggie released Wings Of Love-an album of songs he’d recorded over the past 30-35 years. Still I’d always wanted to hear how he’d sound in a live setting. Bringing in a band that included his sons Eric and Nick for what he’s calling his Never Ending Tour,this album culls from a live date in Brooklyn NYC.
Of course it’s songs such as “Inspiration Information”,”Island Letter”,an elongated bluesy funk jam medley of “Sparkle City” and “Miss Pretty” and of course a version of “Aht Uh Mi Hed”-one of my favorite Shuggie Otis compositions in which the horn section plays the same part the Hammond Organ did on the original. “Tryin’ To Get Close To You”,”Me And My Woman” and “Doin’ What’s Right” present more of that Sly Stone-ish rhythm box based funk Shuggie expanded on as done in the live setting. “Sweetest Thing” is a slow,extended blues that goes on forever but really cooks as Shuggie’s guitar solo goes onto an organ on the next verse. “Wings Of Love” presents another elongated piece-playing out the Santana-like progressive fusion nature of the song. “Picture Of Love” and “Shuggie’s Boogie” both lay down the swinging blues thick while “Strawberry Letter#23” ends the affair on perhaps his best known song-done in a comfortable blend of his and the Brothers Johnson hit version.
All twelve of these performances here are wonderful. Shuggie Otis was much like Prince in terms of being the multi instrumentalist singer/songwriter/producer who seemed to be able to play a boundless array of musical styles. And this album album seems to play out that way. Very diverse running from funk to blues to progressive,exploratory jazz workouts. Of course after it’s over you realize one of the most important things about Shuggie Otis’s musical legacy-one that really shines onstage. And it’s that all of the music he plays represents links on one singular chain. And rather than play one link such as just the 12 bar blues? Shuggie explores the whole chain from top to bottom. And hearing him do this within a band context makes the whole affair all the more powerful to contemplate.
Originally Posted On October 16th,2014