Hard to believe this guy is already in the middle of his second decade in music! In his some eighteen years of recording history he’s taken us down some very interesting and often innovative roads and,unfortunately some controversial ones as well. When it seemed that he’d gotton lost on his musical path on the releases following his excellent Chocolate Factory and Happy People / U Saved Me,both albums that were able to effectively blend some of the modern musical stylings with the melodic and rhythm textures of 70’s and early 80’s funk/R&B/disco he released this album that shows in every respect that the muse that inspired the creation of those two excellent albums is not only very much still there but still has enough room within it to grow and develop.
From the cover art to the music this album actually is a fitting tribute not only to “retro” styles of R&B,funk and soul but has the advantage of maintaining that flavor throughout,without the addition of hip-hop guest stars and any variation of that “”WHOA HO WHOA HO” chant over a digitized beat” style of contemporary R&B that has long since become overused even by Kelly himself. The title song,”Lost In Your Love”,”Just Can’t Get Enough”,”Radio Message” and the Chrisette Michelle duet of “Love Is” all are heavily indebted to that sound that bought the “stepping” revival into play during 2003/2004 and represents a style that works extremely well for R.Kelly’s style of singing,writing and lyricism-which here represents a turn toward elaborately chorded melodies and passionately sung lyrics that showcase a great deal of maturity and outward realization about love and life that the typically lustfull R.Kelly often skims over and/or ignores. The only time that (sort of) shows up is on the lusty “Taxi Cab” which is also the closest thing this album gets to contemporary.
Another highlite of this album is the light jazz-funk flavor of “Number One Hit”,which finds Kelly in his classic style comparing a lady to music by Michael Jackson and Sade and (even though not credit) the harmony vocals of the hook sound a lot like Sade in fact. The latter half of the album showcases Kelly putting a spin on the 60’s Motown/Vee-Jay style of soul balladeering (with the JB influenced mixed in) on “When A Woman Loves”,”Music Must Be A Lady” and “How Do I Tell Her”. Even though this style of R&B would’ve seemed retro even in the 70’s they showcase a very decent and human outlook on romance that speaks to Kelly’s more mature state of mind at this time and aware as I am of the duel sides of his romantic/sexual outlook I can only hope that this is more an outlook on the future than yet another sidebar. The album ends with his own version of “You Are Not Alone”,a song so linked with Michael Jackson that people tend to forget R.Kelly wrote it.
So all and all,considering the high level of musical and production quality that went into it this album might be looked at as a runner up for R.Kelly’s most impressive overall album. Now fans of his more sexually aggressive hip-hop/R&B style of music will not find exactly what they’re looking for on this album. But this album actually eludes lyrically to the fact that what constitutes for radio airplay has grown steadily more shallow over the years which,of course leads to a certain amount of self commentary in this case. One can only hope that the twin sides of R.Kelly’s nature have reconciled themselves to the point where him producing music of this quality can become the rule as opposed to the exception but we will just have to see what happens when his next album comes out.
Originally Posted On January 19th,2011