Today’s Anatomy of THE Groove is special because I’m introducing a new to our blog that expands the definition of “New Funk.” The interest generated in Funk music by Hip Hop artists and movie directors and producers such as Quentin Tarantino and The Hughes Brothers also helped generate a wave of Funk re issues as well as wide releases for songs that were obscure even in the 1970s and ’80s. I guess it was natural that after the main hits of the big bands had been somewhat exhausted, the desire to hear classic era funk from lesser known artists would become greater and greater. In the case of today’s 1973 rediscovered Funk stomper, “We Know We Got to Live Together” by Eugene Blacknell and his band The New Bohemians, what we’re dealing with is a single that was released and played regionally but didn’t see widespread release until the ’00s. The region Eugene Blackwell came from and made his music in was my region, The East Bay Area of Northern California. Blacknell had a reputation as an ace guitar player who led bands from his teens on, making a handsome living playing in bars and clubs before the introduction of the Disc Jockey into the club scene. “We Know We Got To Live Together” is an anthemic, super funky, swaggering cut that fits right in with the very best of mid 70s funk. The song is so anthemic in quality that now, films have begun to use it as fresh music that has the classic funk sound, but by virtue of it’s obscurity, still fires the imagination as new music.
The song begins with a guitar riff from Blacknell, super funky, with bass notes leading up to a funky chord pattern. The guitar part is played through a wah wah of course, and the rhythmic feel is funky and laid back. Funky drum fills come in next and the sound is big and phat. The rest of the band kicks in and they strike up a stone cold groove, bass super funky in both note and feel, with the organ chiming in. The groove that Blacknell and his band gets is one that is so funky it could almost serve as a representative of mid ’70s laid back funk! The vocals come in and they’re super direct and down home soulful. The lyrical story laments several problems of the time and comes to a point where they say, “we’ve got to realise/its not the way/we want it to be.” After this the song goes to the vocal refrain of “We’ve Got to Live Together”, and under this vocal the band strikes up another super funky groove. When the lyric returns, Blacknell lays out the bleak mid ’70s scenario, taxes are going up and jobs are scarce. In this environment, the musician takes up the task of telling the people’s story “Help this population/understand this situation.”
The song next features a funky break, with the wah wah and the keyboard playing a call and response, with the wah wah letting a chord linger out and the organ answering with a tumbling piano riff and the vocals saying simply “Stay Together.” Blackwell then says, “Keep peace with me/I’ll keep peace with you/let me live and love my own way.” The song then goes to my favorite part, a heavy stomping tom tom drum lead part with Blacknell’s wah wah chiming on, that leads to the refrain “I’m so glad/Trouble don’t last always/no it don’t!” When I first got this CD back around 2007, that refrain, sung in Blacknell’s down home soulful style was my rallyinig cry, and it never failed to lift my spirits with its soulfully earnest optimism (and realism).
Eugene Blacknell and his various bands recorded many excellent sides in the 1970s and early ’80s, as well as performed and brought the funk to many audiences. It’s an amazing testament to the power and durability of the recorded mediums that their music has been rediscovered and accepted as part of the fabric of it’s time, regardless of it’s reception in that time. It also very useful for me as a Bay Area native to imagine what exactly the Bay Area sounded like in 1973. The message of “We Know We Got to Live Together” of course, is the right one, and its stated here in a very soulful and sensible way. We as people should be well aware of the alternative. But the groove Blacknell and co strike up is one that is highly distinct, funk that is laid back yet aggressive, a strong reputation of the hand clapping, whistle blowing, foot stomping mid ’70s. And I’m so glad it didn’t stay there, but that we now have it to enjoy for our times.