Within the past decade the musical career of Robin Thicke has progressed very nicely. When he first emerged with A Beautiful World,there really weren’t a great deal of popularly inclined musical artists who were taking an interest in 70’s funk and soul. That ethic was largely taken up by what were than relatively left of center retro and neo soulers One might look about Thicke in those terms. But he always had a strong operation in the popular idiom,with the intent on having hits. But also on his own terms. That served him quite well through some musically dismal times. And the fact that his music was always highly sexually charged gave some the impression he was shallow and one dimensional. Of course this last year the popular idiom of music is showing signs of going where people like Robin Thicke have been trying to lead it. And he is more than willing to lead the pack along for the ride.
The title song,video buzz aside is a stripped down naked funk revelation-steady percussion,dancing bass line and insistent electric piano pulses that put it somewhere between the influence of Prince’s “Kiss” and “Marvin Gaye’s “Got To Give It Up”. “Take It Easy On Me” and “Give It You You”,with Kendrick Lemar both start off sounding like shallow dance/hip-hop until at the bridge this heavy bass/guitar funk kicks in-revealing the songs true intent. “Ooo La La”,”Ain’t No Hat 4 That” and “Get In My Way” are all upbeat melodic dance/funk grooves directly from the Michael Jackson/Quincy Jones/Con Funk Shun/Earth Wind & Fire league-some of the best songs of Thicke’s career. “Feel Good” blends that sound with some modern electro pop synthesizer orchestration for a potent blend of old and new school funk. “Go Stupid For You” loops the synth pops from Message into a unique funk/dance/hip-hop hybrid. “4 The Rest Of My Life” revisits his signiture spare soulful ballad style and,after the empowering funky soul/rap of “Top Of The World” ends off the album with the doo wop of “The Good Life”.
Much has been made based on the video for this albums title track being highly sexualized. If you ask me? I don’t see what all the fuss is about. In fact it detracts from the fact that this is the most consistently funky album I’ve ever heard Robin Thicke make. He explores the late 70’s sophistifunk (the genre that got lumped in with disco originally),80’s naked grooves and difference hip-hop based hybrids of the music in a manner that is very true not only to his own vision but to the rhythm of the one. Not only that the album actually follows a firm conceptual course. He starts out “looking for a good girl”, dates many and finds out the type he thinks he’s looking for are shallow and self centered. In the end he realizes the importance of settling into a functional and adult romantic life. Its a great album for men to here especially because while their busy shaking their groove thing to the music, they may just learn a little something about themselves and how they could be if they aren’t already. A wonderfully realized rebirth for the funk from Robin Thicke.
Originally Posted July 31st,2013