Anatomy Of THE Groove for 5/15/2015: “Once I Get In It” by Con Funk Shun

A major learning experience for me has come from writing this blog. And it’s that sometimes? Focusing on a single song can be very musically instructive. That’s especially true for an album listener. Of course? This all boils down to a matter of personal taste. An album might have a lot of a particular style of music that once doesn’t like,and very little of a style one does like. And that is a particularly important factor of the song I’m going to be talking about today. And it comes from famous West Coast funk veterans out of Vallejo.

One of the biggest surprises this year was that Con Funk Shun made a big album comeback. Michael Cooper and Felton Pilate reunited the band with the production team behind Charlie Wilson’s recent solo albums after a tour. And released the album More Than Love on the Shanachie label at the end of this past April. After previewing the album? I find the album far too contemporary soul ballad heavy for my personal liking. Still, among the few uptempo songs present on the album? One song stood out for me personally. And that was “Once I Get In”.

The song starts with a straight up amplified blues guitar riff before going into a thick,jazzy chorded funk groove. This is fed into a series of orchestral synthesizers,organ with thick slap bass accents. The choruses of the song are a call and response series of expansive multi tracked vocal harmonies singing along with the leads. These vocals and the stomping instrumental refrain lead each other through a couple of building choruses. Towards the end of the song? The horn and rhythm guitar accents back up an entire alternate vocal chorus before the song fads out.

On this song? Con Funk Shun function in a similar manner as they did in their musical heyday. The rhythm section including the bass,guitar and drums function to elevate the choruses,melody and more vocal oriented elements of the song. But do so in the funkiest possible way by keeping the groove phat and fluid. This song is a much slower and more direct funk stomp than the more uptempo,EWF like post disco style they are more famous for. While the vocals themselves and the rhythms aren’t quite as imaginative as they would’ve been in the late 70’/early 80’s? On this one song along? It’s a joy to hear Con Funk Shun spend 3 minutes back in the groove.

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Filed under 2015, Charlie Wilson, Con Funk Shun, Felton Pilate, Funk, horns, Michael Cooper, organ, post disco, Shanachie, slap bass, synthesizer

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