For the past six months? Have been debating with myself as to how to reintroduce this blog. There were some personal matters involved. Yet I was continually discouraged by saturation news about one act of gun violence and other forms of terrorism right after another. And over and over people defending the right for this to keep happening-rather than striving to do something about it.
For over a decade since my own family started playing a vinyl to cassette dub of Kenny Loggins’ 1977 solo debut album Celebrate Me Home? There were a number of songs on it that made an impact me-especially with former partner in the famous singer/songwriter (itself a soul based sub genre of course) duo with John Messina creating such a soul/R&B oriented debut album with his strong lyrical and melodic sensibility. One of those songs has been ringing through my mind all month long. And it’s called “I Believe In Love”.
The song opens with the spirited,uptempo percussion of Sergio Mendes alumni Laudier de Oliveira and Steve Foreman. This is accompanied a melodically jazzy soprano recorder solo from Jon Clarke. Loggins ethereal falsetto rings in at this point over a short instrumental break to introduce the refrain-again sung in a whisper over Steve Gadd’s drums. Loggins drops into the lower end of his vocal range.
On the second chorus? Album producer Bob James kicks in for a spirited synthesizer accompaniment. This leads into the bridge of the song being lead by the lyrically narrative chorus-wherein Clarke’s recorder ,Lee Ritenour’s rhythm guitar and James’ synthesizer are both in strong harmony with Gadd’s drumming and Loggins spirited vocal inflections. At the conclusion of the song? There’s an alternately phrased variation of the chorus that concludes the song.
Instrumentally speaking,this song is absolutely phenomenal and happy spirited funky soul. It’s also from that mid/late 70’s period where this variation on of the genre was thriving and prevalent. And not only on the radio, but in private record collections from all sections of the record stores of the day just about. The participation of the most talented and prolific jazz/funk session players of the day of course really helped to give the song it’s driving,positive energy.
Considering contemporary fears,anxiety and often near inability of people to show affection to one another, as well as the tendency to feel blood lust in protecting the most violent and inhumane aspects of religion? Drawing on a late 70’s take on the 60’s era gospel/soul concepts of humanity such as the potential loss of soul runs very deep to me right now. Especially coming to the conclusion that believing in love as a broader concept is far healthier then people being guarded and “believin’ in gods that never knew them”. Perhaps it’s music such as this seemingly simple song that might hold the answers to major problems so many are refusing to deal with today.