Anatomy Of THE Groove Presents Teena Marie Week: “Starchild” (1984)

While Teena Marie’s 1983 album Robbery was a creatively strong label debut? It was not a commercial success. The sound of it might’ve been a bit to instrumentally transitional for that. The following year Prince & The Revolution had a major breakthrough with the Purple Rain  soundtrack. This was a very new wave inflected album that showcased the Minneapolis Sound-basically replacing horn and string arrangements  with various synthesizers. With this burgeoning sound and Teena’s talents as a multi instrumentalist? Her music had new  possibilities.

While adding strong synth rock elements on her aforementioned Epic debut? Teena probably realized that  her career (as a white artist advanced forward by the black community) meant she needed to understand the progression of soul/funk music with the advent of newer technology. The result was her 1984 album Starchild. Along with it’s debut single “Lovergirl”? It crossed Lady T over onto the pop charts-the one and only time she’d ever do so. Still it’s the title song of this album that personally caught my attention.

The beat gets going with a brittle,funky proto hip-hop drum machine rhythm-accompanied by Brazilian jazz styled percussive whoops and hollers.  Then a mid toned electronic bass kicks into gear-accompanied by the quavering,higher pitched synthesizers playing the horn style accents. All this being emphasized by a strong rhythm guitar. On the choruses,Teena is echoed by a Vocorder singing the song’s title. On the bridge? The quavering synth plays the ancient Egyptian snake dance melody as Teena raps loosely surrounding it.

While very clearly her variation on the Minneapolis sound? The overall production of the electro/boogie funk sound is actually much cleaner. And strongly emphasizes writer Rickey Vincent’s point about how the chugging rhythm guitar survived the synthesizer based 80’s funk sound intact.  Instrumentally it’s in the vein of Chaka Khan’s “This Is My Night” from the same year. Teena’s lyrics take on a classic Afro-Futurist space funk flavor-inserting sexual innuendo about “drinking from the milky way cup” as well. So it’s a very well rounded electro funk exercise.

 

 

 

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Filed under 1980's, Brazilian Jazz, drum machines, elecro funk, Epic Records, funk guitar, Minneapolis, New Wave, Prince, space funk, synth bass, synth funk, synthesizers, Teena Marie, Uncategorized, vocoder

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