Mothers and fathers are indirectly responsible for the first musical rhythms we experience as human beings. It’s the heartbeat of the child itself. Prince illustrated this in the mid 90’s on his jam “Sex In The Summer”. In terms of literal music,my mother’s own musical interests seem connected to her being a former modern abstract dancer/choreographer. I’d describe her musical tastes as being eclectic-perhaps even overreaching at times. But fundamentally,it’s still a good groove that inspires her. And as much as my father has been the main musical guiding light in my family? My mother has made her mark too.
Ramsey Lewis is an artist whom I discovered through my family about 20 years ago. It was during the time where I was really getting interested in funk. And asking my dad to pull funky music out of his vinyl collection whenever he could. Most of this came out of his jazz collection. However,there was one album that he and my mom purchased together when they were first married. The album was by Ramsey Lewis. And it was 1975’s Don’t It Feel Good. While the funk percolated across it with “Spider-Man” and “Fish Bite”,it was the opening title song that always caught my mothers ear. And later mine.
A deep,chunky rhythm guitar begins the song playing a deep in the pocket bluesy riff. Right into the middle of this pocket,a round and pulsing Moog bass settles right in. The drum keeps up the entire song with a slow,pulsing swing with plenty of rhythmic breaks. This is orchestrated by an ARP string ensemble. Ramsey’s Fender Rhodes solo improvises on the blusiness of the guitar. That same guitar buffets the refrain and chorus. Each chorus has a different vocal chorus. One has a Latin-jazz style vocalese. The other,which fades out the song,is based on the bluesy melody and states “don’t it feel good RAMSEY!”.
This is one of those funk jams that understands two of the most important things about the classic funk era. The deep in the pocket groove keeps the bluesy slowness in the rhythm and melody. Also the vocals really bring that element of jazz Miles Davis always championed,based on his mothers advice,for musicians to always play “something you could hum”. Added to all this,the song really knows how to stay on the one. The refrain/choral sequence is all based in advancing the melodic and rhythmic drama of this groove. And that makes it among Ramsey Lewis’s finest funk of the 70’s.