Stevie Wonder has an interesting quality in his reactions to personal relationships that’s personally relatable. While generally viewing his lack of physical sight as a gift,this view gets complicated when he is i emotional turmoil. When his first and only marriage to Syreeta Wright broke up in the early 70’s, Wonder put out two albums dealing in part with his breakup-Music Of My Mind and Talking Book. On these records,Wonder’s heartbreak seemed linked to his own vulnerability-even removing his trademark shades on the second of those albums to showcase he was blind. And at the time,even a bit in the dark.
While not blind,I too live with a very different type of disability that makes my life quite different than many around me. And when personal relationships in my life become troubled,there’s a personal tendency to feel very…disabled. Now not knowing Stevie Wonder personally,some of this is only speculation based on his lyrics and my own romantic experiences. Still when Wonder sang “things you cherish most in your life can be taken if they’re left neglected” on 1972’s “Looking For Another Pure Love”? It resonated on a number of different personal levels along with jazzy soundscape of the music.
By the time the 1980’s came along,Stevie Wonder was facing vulnerability of a different kind. Ever the musical perfectionist,Wonder found the boogie/synth funk of musicians such as Kashif and Prince were picking up where he’d left off in terms of the instrumental sounds he’d created with electronics. So rather than being a pioneer,he found himself somewhat running with the pack at the time. These factors might’ve been part of why he held onto releasing his second album of the 80’s In Square Circle for half a decade. One song from it expressed vulnerability in a very soulful way. It was called “Never In Your Sun”.
Wonder starts out the the song playing a heavily spaced two beat drum pattern-spiced with heavy Brazilian style percussion. After that,a fairly low lead synthesizer comes in playing a gentle major key melody-backed up by a deep synth bass thundering in the back-round. The takes the key of the song a bit higher-with a hollow,low horn like synth line. That sound resonates through the second refrain-where Wonder takes one of his renowned harmonica solos. After another vocal refrain,the chorus returns for a few more rounds-raising in key yet again before the song fades out.
Instrumentally,this song finds Wonder exploring his harmonically rich,jazzy style of music and songwriting in a new way. Perhaps in keeping with the innovations of the Minneapolis sound,Wonder strips the song down to a drum/percussive track and layers of synthesizers playing lead,horn and string type parts. Lyrically it’s quite a lonely song in a way-about a woman whose the opposite of a fair weather friend in comforting Wonder only in the harder times. Musically it’s assured naked funky soul for the mid 80’s. In lyrical terms,the questions it poses seem more significant than the answers.