The Isley Brothers embodied something that is generally more common among jazz artists. They’ve been around long enough and through so many changes in music that their sound has a number of distinct periods. In each of these,they’ve provided popular music that was also on the cutting edge instrumentally somehow. Of course my personal favorite of these periods is known as the 3+3 years,when the Isley’s had two generations of brothers performing and playing together as a monster funk ensemble. They remained massively popular throughout the 70’s in this configuration.
In 1980 this format of the band released their 18th studio album entitled Go All The Way. Generally speaking, most literary discourse on the Isley’s praise their 70’s work up until roughly 1978’s “Take Me To The Next Phase” and then pick up with 1983’s Between The Sheets song and album. Between that time however,their sound evolved towards their mid 80’s electro friendly sound even more than it had even with Chris Jasper’s synthesizer washes. One song from this 1980 album really pulled that together beautifully. And the name of it was “The Belly Dancer”.
Ron Isley begins panting song lyrics over a pumping drum line-within which Jasper begins playing two synth parts-one an ethereal string like part in the back round,plus a revving guitar like one on every other beat. He doubles up the synths as the song segues into the first chorus-finding Ernie Isley’s train-like guitar chug with Ron playing call and response to his backing vocal. It’s punctuated by Jasper’s popping synth bass. Most of the song is built around this chorus-with only a brief refrain featuring a melodic passage focusing on Ernie’s rhythm guitar. After a heavy percussion bridge,the song is all chorus to the fade.
In my own opinion,this is one of the thickest funk splatters that the Isley’s turned out within the first few years of the 80’s. It really does a lot to showcase how much their steely funk/rock hybrid of the mid/late 70’s was on the naked/electro funk to come in the 80’s. This song not only adds sleeker melodic elements. But it’s full of rhythm. Henrique and myself were discussing the ultra rhythmic piano of Duke Ellington tonight. And with Chris Jasper and Ernie Isley really pumping up the beat on this song,it’s solid proof of players in the Isley’s known for soloing could also rhythmically throw down the heavy funk.