Even by the time I was seriously (and unfortunately) giving this CD the slip in the mid 90’s? There was that wondering what might’ve been if Gladys Knight & The Pips were given the full support and development within Motown. True they were around long before the label was. That being said?
They just bought so much uniqueness into the classic Detroit soul sound. As performers? They had the (then) forward thinking approach of having a woman as the lead singer with the male backup singers. Musically they presented the most important new flavors to the label’s sound. But that’s the main story behind this review anyway.
The title song,with it’s electric piano and the somewhat doo-wop version of “For Once In My Life” are both ballads built around the rhythm guitar. “It’s Gotta Be That Way” and “Can’t Give It Up No More” are more piano driven gospel soul slow jams. “This Child Needs A Father” is a spare,slow grooving Staples-styled Southern funk driven by wah wah along with the albums sumptuous,bluesy strings.
The grinding bluesy funk electric piano/rhythm guitar grind of Bill Withers’ “Who Is She (And What Is She To You),the another uptempo wah wah driven groove in “Daddy Could Swear,I Declare” and the Rhodes piano and percussion driven uptempo groove of “Don’t It Make You Feel Guilty” round out the album.
From where I sit? This is one of those albums where the vibe of every song just totally works on every level. The ballads have strong melodic,vocal and instrumental meat about them. And the uptempo numbers never,ever for a moment try to fake how funky they are. And it’s that Southern fried funkiness of Gladys & The Pips that truly brings this album to life.
The whole thing actually has much more of a Stax flavor than a Motown one to me actually. Even the way the orchestration is used. All of these songs tell stories and have messages straight to the listener-all focusing on romantic and family love. It’s warm,intimate and deeply rootsy funky soul that I very highly recommend.
Originally posted on May 27th,2015