Anatomy Of THE Groove: “DMSR” by Prince

Prince has been gone for over a month now. And it’s now official that his death was caused by an overdose of the strong opioid Fentanyl. As the future of his music stands in the balance,it would seem as if many people suddenly realized the impact Prince’s music had on their lives. Or their own art. Some see that as cretin. Personally I see it as a good thing. Whatever motivates someone to appreciate someone with musical importance of Prince Rogers Nelson will be a pretty good thing in the end. When it comes down to it,it’s the mans funky creativity that should be remembered rather than his tragic early death.

Today will be Prince’s first birthday during my lifetime where we wasn’t alive. Therefore in discussing him today,it seemed best to search for a song that personified everything about Prince’s musical and thematic persona. Over thousands of songs released and unreleased, plus 39  available albums, the task seemed daunting. Suddenly it occurred to me it’s been there for 20 years. It was the last song on the first record on the vinyl copy of his 1982 breakthrough album 1999. It’s another of those Prince’s songs that only become more amazing to me with each listening. The name of this funk is “DMSR”.

A 2 by 2 hit drum machine beat with a nasal trumpet style synth sound gets the song started. That synth horn plays a JB’s style hard hitting riff before shaking percussion and Prince’s high pitched screech over the break brings in the main body of the jam. This adds a down-scaling synth bass kicks along with a choral synth brass part with Prince’s slow crawling rhythm guitar driving home the changes. This is the basic groove up to the last half-where the only change is a bridge with more driving percussion and Prince’s sustain,chicken scratch guitar that plays along with the final choruses before it all fades.

James Brown was a key inspiration to Prince’s approach to funk. He paid direct tribute to him throughout his career. From “Housequake” to “Sexy MF”. In the early 80’s,Prince was still pioneering his synth brass based Minneapolis sound-with it’s stripped down, electronic new wave influences. Much as with Prince alumni Jimmy Jam & Terry Lewis’s  production on Janet Jackson’s song “Control” five years after this, “DMSR” takes the nakedly brittle synth funk based sound of Prince’s one man band approach of the time into the basic horn chart/drum break/rhythm guitar structure of classic James Brown funk.

This songs title as sung in it’s chorus is an abbreviation standing for “dance, music, sex, romance”. Prince boldly asks everyone (again JB style) to “get on the floor” and “loosen up” in different ways throughout the song. Lisa Coleman,Dez Dickerson,Brown Mark and Bobby Z all join him on a chorus of the song title. Even if Prince once declared this era of his music as being like being in the 3rd grade to him in retrospect,this song is still one I can pick out in terms of describing everything rhythmically,lyrically and creatively atmospheric about Prince’s classic Minneapolis purple funk style.

 

 

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Filed under 1980's, Bobby Z, Brown Mark, chicken scratch guitar, Dez Dickerson, drum machines, James Brown, Lisa Coleman, Minneapolis, Minneapolis Sound, naked funk, Prince, Prince & The Revolution, rhythm guitar, synth bass, synth brass, synth funk, synthesizers

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