Prince Summer In Full Swing: ’20Ten’ turns 6!

20ten

20Ten is one of my favorite Prince albums of the new millennium before his 2014 comeback on Warner Brothers. Questlove wrote an article in Wax Poetics magazine five years ago about the 33 reasons why Prince was hip-hop. The 20Ten album provided a possible 34th reason-that being most contemporary hip-hop/R&B music with it’s stripped down drum machine/synthesizer sound is based on the same early/mid 80’s Minneapolis sound that Prince pioneered,and then returned to with this album. This is also one of very very few times I saw Prince return to the musical sound that made him so famous.

This was a difficult album for me to find. It was released shortly after Prince received a Lifetime Achievement Aware at the 2010 BET Awards. But in the UK only. And even for that as a covermount CD on British magazines like the Daily Mirror. My local record store Bullmoose would’ve had to ordered the magazines themselves to even sell copies of this. And that seems that they did because I managed to pick it up. After jamming to the first album a couple of times during that first week of having it,I went over to Amazon.com and had the following to say about it:


On his previous release Mplsound Prince was making it abundantly clear that he was reaching towards his classic one-man-band Minneapolis sound as a means of progressing into the future. This is actually a move he made on a number of occasions when his music and career seemed in question. Well right now his career isn’t in that state at all. He’s musically revered by many in this generation and was recently given a tribute on the BET Music Awards this past year. Prince himself also seems to obsessed with some strange form of eternal youth in which his music doesn’t age but his lyrical themes mature.

You will not find any explicit lyrics on this album for sure,same as you won’t find them on any of his albums since 2001. That doesn’t mean that effects the music at all because these are the most energized,lively,funky and musically sophisticated songs Prince has done in the new millennium. The album opens and ends on the same basic musical note with “Compassion” and “Everybody Loves Me” embracing the shuffling LINN drum led rockabilly styled funk with lyrics that alternately speak of both selflessness and selfishness. “Beginning Endlessly”,the amazing “Sticky Like Glue” and “Lavaux” all embrace the classic Prince all encompassing funk groove with some delicious synthesizer squiggles and layered drum and percussion tracks.

He hasn’t lost his touch as a multi instrumentalist in the least bit and actually has expanded on it to include light rhythmic nods to both hip-hop/R&B and contemporary 80’s dance revival (itself based on his own original music) without shamelessly surrendering to either style and still being himself. Songs like “Future Love Song”,”Walk In The Sand” and “Sea Of Everything” also embrace Prince’s touch with the slow jam to it’s absolute best effect. Typical of Prince he makes you flip through 75 separate 2-4 second empty tracks before we get to cut 77,which is the title song offered as a very hidden bonus selection. This is very much a TAFKAP era sounding funk/rap styled number but still his one-man-band style is very much in attendence. After all these years Prince obviously has no intent on being a fossil. He wants to keep being himself and now that he’s in his 50’s he also refuses to musically look down on those younger than them and also embraces many of their ideas into his own.


The summer season is already a few weeks in as I’m writing this. But wanted to officially inaugurate this as Prince Summer here on Andresmusictalk. It’s been underway for a few months now already. But there will continue to be a consistent emphasis on Prince’s own music here for a long time to come-as well as a continuing emphasis on the enormous influence of the many forms of the Minneapolis sound. Even if Prince himself didn’t always realize it,he is likely the last artist to really innovate musically in the funk/soul genre. And the album 20Ten is more than solid proof of this.

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4 Comments

Filed under 2010's, Amazon.com, funk albums, Hip-Hop, Linn Drum, Minneapolis, Minneapolis Sound, Music Reviewing, Prince, Questlove, synth brass, synthesizers, UK, Uncategorized, Wax Poetics magazine

4 responses to “Prince Summer In Full Swing: ’20Ten’ turns 6!

  1. Always thought this one was underrated–probably because it was pretty much impossible for Americans to (legally) get a hold of it. I remember some morning DJ talking about how disappointing it was–I was like, really, after Planet Earth and MPLSound, this is disappointing? “Sticky Like Glue” was a jam. Not a lot of the tracks necessarily stood out, but it was all well-performed and pleasant to listen to; I’m also eager to give this one another listen. Maybe it’s time to finally cave and sign up with TIDAL…

  2. I was lucky enough to see Prince during his residency at the O2 in London the year the 2010 album was released. I have two copies of the CD, one which was from the newspaper which was giving it away as an exclusive and the other given to fans who attended the concerts at the O2. They are a precious reminder of the only time I got to see him live in concert. I didn’t appreciate then what an extraordinary gift that Prince had bestowed to people who got the album as I had just assumed the music would be available to everyone. I listen to Beginning endlessly nearly everyday. So life affirming like my personal favourite from Parade – Mountains, which is different and yet has the same optimism. I wish so much he is still here.

    • What a beautiful story of seeing Prince. I live in Maine. Prince never came up here,so he had to be removed from my bucket list to see in concert because he centered more around the major cities I was never near. So glad people who got a chance to see him could share their own experiences on these comments. Thank you!

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