Prince’s 1996 three CD set Emancipation is going to be celebrating its 20th anniversary shortly. Usually very shy about publicity,Prince was extremely proud of this album. And he seemed to go all out,by his promotional standards,to get the word of this album out to the people. He even appeared with his wife of the time Mayte Garcia in an interview with Oprah Winfrey on her show. Just as I was first getting into his classic catalog,the “new” Prince of the era,in his O(+> persona,was showcasing a more personally revealing identity than his more enigmatic public approach had been a decade earlier.
Emancipation is an interesting conceptualization musically. As usual,Prince is instrumentally exploratory in terms of trying different genres. What’s most striking is that he goes for genres of the era that didn’t always require heavy instrumental acumen- such as house and his hip-hop interests of the era. What he did on this album was “Princify” them with his own musical touches. When I played this for my mother,whose extremely choosy in both the Prince and hip-hop she likes,one song stuck out for her and I that was both of those things. And the song was called “Style”.
A slyly rolling synth bass line begins the song-along with some muted horn lines and some percussive drumming. Then that drum rhythm starts in with a slow hip-hop friendly funk shuffle-along with some jazzy and melodic horn charts including (along with the NGP horns) Madhouse/Family era veteran Eric Leeds. On Prince’s slow,spoken word raps on the refrains,that bass/drum/horn/vocal re-sample combination really gets going before a sung falsetto bridge and Leeds sax solo. After that the song goes into a new synth line (similar to the horn line) before the song outro’s on the original refrain before fading out.
Instrumentally this song has a flavor very similar to a mid 90’s version of James’s Brown’s “The Payback”-with it’s bursts of wah wah guitar and jazzy funk/hip-hop attitude. Lyrically the song is more a conscious poem than a rap per se-with Prince giving many examples of what he feels “style” is. My personal favorite is “style’s not a logo that sticks to the roof of one’s ass/style is like a second cousin to class. In the end someone (maybe Prince in a slowed voice) slurs “I ain’t got no job,but I got style. So both musically and lyrically,this song has a strong level of musical and conceptual longevity to it.