During the mid/late 80’s,Prince was refashioning the MPLS sound into something far beyond its stripped down drum machine/synth brass based new wave style groove it started out as being.His music was becoming far more orchestral and jazzier-showcasing a more live instrumental approach and more improvisational horn charts and solos. In 1986 however, Prince was still close enough to his signature sound to expand on it with some of his newer musical ideas. This came to fruition on the unreleased album Dream Factory,which evolved into Sign O The Times.
When I first started collecting Prince CD’s,Sign O The Times was on my bucket list of albums in terms of introductions to his music. It was actually the last on this list I ended up getting. It was a 2 CD set that I actually had to listen to several times in order to gauge what each song meant to me. Looking back on it now,the album has o conceptual unity as its cobbled together from several unreleased sessions. Yet all the songs sound like they belong together. One of a handful of album tracks that really stood out for me on this particular,the top of that list would be “The Ballad Of Dorothy Parker”.
A drum kick on the Linn LM-1 starts out the song. A steady Linn drum track,with a number of call and response Afro Latin percussion accents and claps,remains the main rhythm of the entire song-save for another drum kick before another refrain. The bass line is an intricate,snaky movement sewing the song together. Prince provides a number of unique synth leads here. One is a high,pitch bent one that sounds almost out of tune. The other is a similarly toned line if a bit lower-both improvising on the series of melodies throughout the song until it ends on the same theme on which it began.
Especially since this same man sang “its time for jazz to die” in 1982,this song shows how much Prince had integrated jazz improvisation and Latin drum patterns into his one man band approach by the mid 80’s. Some of the unusual,improvised modulations of the synthesizers on this sound have a similarity to Joni Mitchell’s music,of which Prince was a major fan growing up. He even name drops her as an element in the story told by the lyrics-a rye musing on Prince being played by a cocktail waitress. In terms of his multi instrumental jazz/funk approach,this is among my very favorite Prince songs.