Edgar Winter is one of those artists whose musical arc I had extremely wrong most of my life. Knowing him only for the songs “Free Ride” and “Frankenstein” (which both come from the same album by the way),had him pegged as a progressive minded Southern rocker. Upon purchasing his debut album Entrance a decade ago,it introduced me to one of the most talented and musically distinctive artists this side of Prince,Todd Rundgren,Brian Wilson and even Miles Davis. His mixture of European classical,jazz,soul and blues instrumentation and harmonies made it quite a listening experience.
With The Edgar Winter Group he,Dan Hartman and Rick Derringer did indeed tend to explore their rockier side. He also had a band called White Trash who,on two occasions dealt with Winter’s gospel/funk/soul/blues side more. Much as with The Rolling Stones, Winter felt a deep affinity with black American music. And like the Stones,his music also evolved along with black American music in the 70’s. His next “solo” album was 1975’s Jasmine Nightdreams. This album was more a mixture of styles. And one song in particular that leaped out at me is entitled “All Out”
A drum roll quickly gives way to a slow shuffling swing. Winter than solos on the ARP synthesizer on a jazzy horn like melody before going into a solo on the ARP doing the refrain that improvises heavy on the 12 bar blues primarily. On both occasions,its backed up by a phat Moog bass playing an upfront descending line similar to what the upright bass would normally play. Winter takes off improvising the melody on sax before doing the same with his flamboyant,rangy scat singing. The choral theme repeats for a bar before the piano/synth arpeggio that segues into the next song.
Hearing this all out bop jazz number reminds me somewhat of how people like Thelonious Monk might’ve updated their distinctive style in the 70’s-with electronic instruments playing the roles the bass and organ normally would’ve. With a sound that suggests Winter likely played most of the instruments on this song himself,his improvisation of melody and spirited instrumental/vocal performance really showcase what a strong musician/composer Edgar Winter actually is. And having the understanding to have players in his circle who could help him flesh out his musical ideas even more so.