Daft Punk,the French electronic house duo consisting Thomas Bangalter and Guy-Manuel de Homem-Christo,have been extremely interesting to me. From their debut album Homework in 1997 up through their 2013 release Random Access Memories,their electronica /house combination has continually embraced elements of American funk and disco. And this tendency as gotten strong with each successive studio album they’ve made. The fact that both men play bass and guitar adds strongly to their rhythmic understanding of funky disco grooves. And has afforded them much commercial success as well.
First heard of the duo one evening while home alone with my dad at some point in 2001. We had the radio switched to local college radio WMEB. And one of the DJ’s was playing this song that really caught my ear. Wondered if it was a new acid jazz song by an artist like Jamiroquai or something. But it had a totally different flavor. More electronic. Since most radio stations in my area tended to play blocks of music with no announcements of songs/artists after 2000,it surprised me to hear the DJ announce that the artist was Daft Punk. And the name of the song was “Voyager”.
A very distant drum machine playing a disco beat begins the song,with an airy synthesizer accompanying it as the main melody. That intro soon breaks into a harder pounding version of the same beat-this time with a Nile Rodgers like clean rhythm guitar line along with the main melody. Within this,a wonderfully funky bass line pops out every note between the note possible in this song. This song has two bridges. One reduces down to a percussive rhythm with a wah wah guitar. The next features a Japanese sounding synth solo in the pentatonic scale. This becomes part of the final choruses the fade out the song.
“Voyager” is very representative of the kind of disco/funk hybrid coming out of electronic groups in the early 2000’s that I personally found very appealing. It had the synthesized sonic’s and melodies very popular on the European club scenes. But it also embraced the hard funk/disco approach that came from the American idiom. The fact that it had a Japanese style interlude might’ve served as a reminder of Japan’s pop culture strongly embracing funk and disco in the 70’s and 80’s. In all areas,this song represents a dry run towards the sound that would culminate on their 2013 hit “Get Lucky”.