Prince Protege Special: “Honeymoon Express” by Wendy & Lisa

Wendy Melvoin and Lisa Coleman knew each other their entire childhood in LA,with both their fathers being musicians in the group of iconic session musicians known as The Wrecking Crew.  These musical lives led up to Coleman becoming the successor to Prince’s original keyboard player Gayle Chapman in 1980. In fact,it was Coleman who recommended Wendy to succeed original Revolution guitarist Dez Dickerson when he left before the making of the Purple Rain album. After two years of success with Prince,Wendy & Lisa left the Revolution,signed with Columbia and began their career as a duo.

Wendy and Lisa were significant because,similar to Jam & Lewis,the duo were never anyone Prince could be a puppet master with. They were genuine proteges who not only had enormous talent on their own,but also contributed new musical ideas for Prince. Their 1987 self titled debut featured songs that featured the production and co-writing of fellow Revolution alumni Bobby Z as well as Wendy’s brother,the late Johnathan Melvoin of Smashing Pumpkins fame. The first song on this album made an immediate impact on me personally. Its entitled “Honeymoon Express”.

Wendy starts out playing a thick and liquid rhythm guitar over an ethereal synth sound. A brittle,low ascending slap bass line. This is accompanied by a bassier sounding synth that plays for all the bars of refrain-along with a beat that kicks up high on the snare every few beats or so. Just before the choruses,the song goes up a chord just before the chorus-with the ethereal synthesizer mixed up a bit higher. The bridge features an electronic marimba type solo before the choral sequence of the song repeats to fade-with the synth marimba playing right along side it all the way.

Co written with Johnathan and Susannah Melvoin (‘ne of The Family,now fDeluxe), “Honeymoon Express” is a very densely composed,jazzy funk number. The rhythm is in as much an unusual time signature as what Dave Brubeck did in the “cool jazz” genre,also featuring some ultra funky bass/guitar interaction. The chord changes on the song are actually very singable. That being said,they are also somewhat outside American pop conventions of the late 80’s. And probably are part of why this album wasn’t a major success in the US. Still,this is Wendy & Lisa at some of their jazz funk finest as a duo.







Filed under 1987, Wendy & Lisa

4 responses to “Prince Protege Special: “Honeymoon Express” by Wendy & Lisa

  1. Love Wendy & Lisa…this song definitely has “that” feel that they brought to the Revolution circa 1985-86. I always held out hope they’d collaborate with Prince again, it’s such a shame now that there’s no way that will happen.

    • I’m not sure if this is true or not,but there was an understanding during the early 2000’s that a reunion between Prince,Wendy & Lisa was halted because,as a practicing Jehovah’s Witness at the time,Prince objected to the duo being gay. Though he did eventually collaborate with Wendy again for a one off performance on TV.

      • I have heard that story and would really like to see it corroborated (or debunked, obviously). Probably too soon after his death now for this kind of stuff to come out, but there are a lot about Prince’s political beliefs post-conversion seemed…troubling, to say the least. Maybe it’s better we don’t know.

      • Maybe your right. Although sexism and homophobia have been consistent issues with Prince even before he converted. There was never anything overt on the homophobia end. His only comment about why said collaboration didn’t happen was “ask Wendy and Lisa”. So since he isn’t with us anymore,that’s all anyone actually knows.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s