Anatomy of THE Groove: “Who You Talkin’ To?” by Jeffrey Osborne

Jeffrey Osborne-a Providence,Rhode Island native was came from significant musical lineage. His father Clarence “Legs” Osborne,who played trumpet for the likes of Duke Ellington,Lionel Hampton and Count Basie. Osborne formed up with the group that would become LTD in 1970. By 1976,the band was off to a run of successful funk/soul ballad based albums in the late 70’s and early 80’s that included major successes such as the funk of “Back In Love Again” and “Holding On” as well as slow jams such as “Love Ballad” and “Shine”. Osborne’s robust,gospel drenched baritone voice was a major highlight too.

Osborne left LTD in 1980 to begin a solo career. His self titled solo debut came out on his bands label A&M in 1982. It was produced by the late jazz/funk luminary George Duke. It was through Duke that I first took interest in this first solo album when I discovered it on CD about 12 years or so ago. Because of where LTD’s music had seemed to be going in the early 80’s,had the impression this would be a Lionel Richie like album that strong emphasized ballads. And Osborne’s solo career seemed to have been marketed that way. Yet he also came through with songs like “Who You Talkin’ To” as well.

Jerry’s Hey’s horn arrangements begin the affair-with the refrain consisting of Terry Smith’s drumming,Paulinho Da Costa’s always spicy percussion,a high chunky rhythm guitar part and a hard slap bass line from Larry Graham himself. George Duke provides the sung song title through his Vocorder along with Osborne’s straight lead. The horns punctuate every bar of the song. They also play a low thundering chart on the lead up to the choruses. The bridge finds the drums,percussion,horns and Vocorder playing for a rocking guitar solo before another series of choruses closes out the song.

The early 80’s did seem to find a lot of baby boom age and/or aged black American recording artists emphasizing heavily arranged ballads. That seemed to be the emphasis of vocal based artists of that day. Jeffrey Osborne was always diverse in projecting epic soul ballads and hardcore funk. And his solo debut changed nothing. I cannot think of a black male American vocal album of its time with such a hardcore funk piece as “Who You Talkin’ To?” on it. And including slap bass innovator Larry Graham no less. So for the funk lover,this might be the highlight of Jeffrey Osborne’s solo debut.

 

 

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