It was a Thursday morning one year ago that I first heard that Prince had passed away. It was via a Facebook post one of my friends there shared from TMZ. Being a tabloid agency,it came across as just another online “fake news” story about a dead celebrity. It was my Aunt Deb who confirmed the unfortunate news. Prince Rogers Nelson had been found dead in an elevator at Paisley Park earlier that morning. It turned out to be just one part of a huge “funkapocalypse” of musicians dying in 2016-among them people such as David Bowie and EWF founder Maurice White.
In the weeks following Prince death, there was much ugliness unfortunately. Because he left no will in regard to his enormous musical output,the future of his art was in question. Therefore there was more concentration on people suddenly coming forward claiming to be his child (and a potential heir to his fortune),as well as conspiracy theories about Prince having died of HIV/AIDS. The reality of his death wasn’t any prettier. He’d died of an accidental overdose of the pain medication Fentanyl,part of a series of medications he’d been taking since an injury he’d sustained onstage in 1985.
Now that 365 days have passed since we lost Prince, there remains much mixed appraisal of the man and his music. The fight for control over Prince’s estate still remains fairly hot-with family representatives such as his half sister Tyka and record companies in the process of figuring out how to manage his music releases and online presence. Articles circulate consistently on fan sites all over the internet-especially Facebook and Twitter. And the debate between restorationists and preservationists of Prince’s legacy has proven a true example of the messiness of democratic dialog.
All of this being said, the year since Prince’s death has not been about complete uncertainty. Currently his mid 80’s era band the Revolution have begun for a US tour-indicating that its helping them cope with the loss of Prince. There was a somewhat rushed compilation released by Warner Bros. entitled Prince4ever,which included one item from Prince’s vault from 1982 entitled “Moonbeam Levels”. The CD release of Prince’s final album Hitnrun Phase II also took place a week after his passing. And now,its promised that a floodgate of new Prince material is about to be opened.
Following the Grammy Awards tribute,much of Prince’s music was re-added to streaming sites such as Pandora and Spotify. And there’s also the promise of a deluxe edition of the Purple Rain soundtrack at some point this year. This week however, the Prince estate has filed a lawsuit against against his former engineer George Ian Boxill for attempting to a release an EP of unreleased Prince songs from 2006 entitled Deliverance. In addition,Prince’s music has yet to re-appear on YouTube. And that brings me to what I feel is the most vital aspect of Prince’s creative legacy.
Myself, Henrique Hopkins and Zach Hoskins have been having many discussions since Prince’s passing about the lost opportunities for his continuing legacy online. As for Prince,that’s all in the past now. Because his music is in danger of being somewhat unknown by future generations (and some members of current ones) due to this problem,I hope that those in charge of Prince’s estate realize the mistakes he made in his final decade about publicizing his art. It would be a fitting tribute to him if they continued to maintain the presence of Prince’s musical legacy for the future.