Giorgio Moroder first came to my attention through his productions with Donna Summer. Most notably his 1977 triumph “I Feel Love”. This heralded in the electronic space disco sound. And also,along with Kraftwerk,began the re-writing of the book for dance music in the decade to come. He came from a mixed Italian/German back round, and began releasing singles from the early 60’s to the early 70’s under the name Giorgio. Most notable of these was 1972’s Son Of My Father. A few of these songs being used in a film showcased Moroder’s future direction: as a king of the electronic soundtrack.
Moroder was a very busy man from 1976 to 1979. In addition to working with Summer along with lyricist Pete Bellote out of Munich,Germany he was also continuing his film scoring work. One protege he began working with during these years was fellow early electronic musician Harold Faltemeyer. He would later achieve a cinematic success of his own with his 1984 theme song to the Eddie Murphy vehicle Beverley Hills Cop with “Axel F”. Faltemeyer’s first taste of musical success came in collaboration with Moroder on the hit single from their soundtrack to the 1978 film Midnight Express called “Chase”.
A sequenced synth bass (a Moroder musical trademark) starts off the song-along with synth string orchestration using an echoed flanging effect. There’s also a pretty straight lead synth melody. After a few bars of this,the melody reduces down to the 4/4 drums,the bass sequencer and a series of clicking and clanging rhythmic percussion sounds. Than the synth strings slowly build back in for several more bars. After the song reduces to the drum and sequencer again,the main melodic synth plays a more involved melody before the song fades back out on several more bars of its own chorus.
“Chase” has become one of Giorgio Moroder’s signature pieces of music. Structurally the song mixes rhythmic and melodic elements of American funk and European classical music into a song that embodies the very sound of electronic/space Euro disco. Its far more stripped down and stylized than the contemporary EDM. So much so that during the height of EDM about a decade ago,the paranormal/conspiracy theory based radio show Coast to Coast AM used it as its theme song. Basically, this is one of a handful of electronic disco numbers in 1977/78 that pointed to totally to the future.