Anatomy of THE Groove: “Happiness Is Just Around The Bend” by The Main Ingredient

The Main Ingredient are one of my favorite funky soul groups of the mid 70’s. The reason is just because of that particular musicality of theirs. Their music very successfully bridged soul’s gospel feeling and melody with the complex,jazzier harmonics of funk. Hearing their greatest hits CD in the 1990’s showcased for me just how much breadth their was to their music. Got me to thinking if their singles were that diverse,what were their albums like? After hearing one in 1973’s Afrodesiac, it became clear their sound could stretch across the full LP format with energy to spare.

One particular Main Ingredient album which always appealed to me was their 1974 release Euphrates River. It was released in 1974. And is one of many Main Ingredient albums I do not have have on physical media. In the light of Cuba Gooding Sr’s recent passing,his first posthumous birthday today and a conversation with my friend Henrique? Seemed like a great time to check out its songs via YouTube. One of them which instantly got my attention was written by jazz/rock pioneer Brian Auger. It was called “Happiness Is Just Around The Bend”.

A slow grinding Latin percussion/conga/xylophone based groove provides the intro with a crawling melody on Fender Rhodes. Then the tempo goes up with the steadier drum beat,lighter percussion and bass/guitar interaction. For the main refrain,the Rhodes play a more rhythmic role as the strings come into play with Gooding’s echoed voice chiming in the spoken early vocal leads. The refrains are a spiraling,orchestrated vocal arrangement with a very complex melodic exchange. After a bridge featuring an echoed soprano sax solo, the least involved end of the chorus continues into the songs fade out.

“Happiness Is Just Around The Bend” is probably the most melodically and rhythmically complex piece of music I’ve ever heard from the Main Ingredient. In the rhythm arrangement I hear Curtis Mayfiend. The orchestration has a heavy Isaac Hayes vibe while the melody comes out of a Stevie Wonder school. Not totally bound to its influences Cuba,Tony and Simmon’s vocal stylings all come together to deliver one of the strongest funky soul arrangements I’ve heard come out of 1974. And it really makes a very strong case for my future exploration of the Euphrates River album itself.

 

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