Anatomy of THE Groove: “DNCE” by DNCE

DNCE, a group just introduced to me by my boyfriend Scott, are a never band who are in a somewhat complex musical position. Its a functional band of musicians consisting of bassist/keyboardist Cole Whittle, guitarist JinJoo Lee and drummer/percussionist Jack Lawless. Its lead singer is Joe Jonas,a member of the Disney based family pop/rock band The Jonas Brothers. Of course,JinJoo Lee was a member of Cee-Lo Green’s touring band in the early 2010’s. Whittle describes DNCE’s sound as being like funk and disco hits played by a good garage band. And of course,they have their influences.

70’s and 80’s funk,pop and disco of the likes of EWF,The Bee Gee’s,ELO,Hall & Oates and Prince. They also site 90’s alternative band Weezer as an influence as well. Having heard several songs from their self titled debut from 2016, this is obviously a very diverse band. And vocally,they have their modern pop ethic down pat. Still they have a strong love of a strong groove with a strong melody. There were several songs that stood out on the album for Scott and myself. The one that stood out most for me personally was basically the album and bands self titled theme song.

An acapella chant of the groups name starts out the song-just before a tougher vocal grunt gets the main melody going. Its a thick,slow drum accented by shuffling percussion. The rhythm guitar/slapping bass interaction has a rolling thickness. And the lead synthesizer plays a bright “church style” melody. On the third chorus of the song, horns (or at least horn samples come in) come into accent the melody-with each choral bridge having a a chugging guitar and percussion sound. The bridge breaks it all down to the drums,bass,horns and vocals before the chorus repeats to its abrupt final curtain.

“DNCE” is a groove that has a lot going on in it.  There’s a little bit of the Bee Gee’s “Jive Talkin'”,and the use of Prince style synthesizers to create gospel oriented melodic chords. The band are a very talented quartet. Counter to what I hear in much pop music of the 2010’s,everything on this song makes distinct musical statements. And every one of them come from the roots of the soul/funk/disco dance persuasion. The surface melodies are very strong and prominent. But the bottom has a thickness too. Should DNCE continue in this direction,they will be a nu funk to watch for more from.

 

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