It’s a well-known fact that most white music critics don’t “get” ’80s Stevie Wonder. And for a long time, I was no exception: I took as gospel the truism that it was all downhill for Stevie after Hotter Than July, and I levied what I considered to be the appropriate amount of scorn on his material from the era. You know that scene in High Fidelity where Barry throws the guy out of the store because he wants to buy “I Just Called to Say I Love You?” That was basically me.
But with age comes wisdom, and with wisdom comes a less snobby attitude toward popular culture. Oh, don’t get me wrong, I still don’t like “I Just Called to Say I Love You.” But I’m not too proud to say that I love another song from Wonder’s much-reviled 1984 soundtrack to The Woman in Red, “Love Light in Flight”–how could any self-respecting Jheri Curl fan not? Like another song I wrote about for Jheri Curl June this year–“Ooh Love” by Kashif–it’s a stellar example of a new subgenre I pulled out of my ass called “sophisticurl”: you can picture it being played at a yacht party, with discreetly jheri-curled attendees wearing Coogi sweaters and clinking their champagne glasses. It’s genteel, but indelibly funky: a vibe that Stevie Wonder nailed effortlessly in his middle years. And it doesn’t even require an appreciation of poorly-aged Gene Wilder comedies to enjoy!
As I explained back at the beginning of the month, I’ll be posting highlights from my blog Dystopian Dance Party’s annual celebration of ’80s R&B, Jheri Curl June, every Saturday this month (so, one more next week!). For more, you can visit Dystopian Dance Party every weekday.