Anatomy of THE Groove: “Shakey Ground” as performed by Phoebe Snow

Phoebe Snow is a native New Yorker who went from an artistic family who raised her in Teaneck, New Jersey to her college years of gigging from one Greenwich Village nightclub to another. She released her self titled debut album in 1974-having her biggest hit with “Poetry Man”. Her sound was somewhat unique-a mix of folk,rock,funk,soul and blues that suited her distinctive,bluesy growl that could also spread across several octaves. Her decision to give up music to care for her child born with severe brain damage halted her career after the early 80’s. But she never totally disappeared.

Her selfless parenting didn’t stop Snow (born Phoebe Taub) from performing the theme song for the first season of the sitcom A Different World. And released a few more studio albums before her death of a cerebral hemorrhage in 2011. Her third album It Looks Like Snow was her second for Columbia Records. On it she interpreted a song that was one of the last major Temptations hits before leaving Motown. It was co-written by P-Funk’s Eddie Hazel along with Jeffrey Bowen. Its an amazing groove for sure. But in 1976 for her third album, Phoebe Snow offered us her own take on “Shakey Ground”.

The hard groove wah wah guitar riff and metronomic drum count in begin the song as on the original. Yet the straight up,acoustically textured blues guitar riffing before the main groove starts adds a totally different flavor to it all. After all of this, there is the layers of guitar: rhythm and wah wah along with an accenting Clavinet. And of course the horns playing the changes. On the instrumental bridge, the bluesy guitar from the intro (likely played by Snow herself) takes a full on solo. That’s before Snow’s vocals take the chorus on an extended musical journey before it fades out.

There’s not much point in me comparing Phoebe Snow and The Tempt’s versions of “Shakey Ground”. Each are hard funk monster jams in their own right. Its the little things that really make the difference on Snow’s. Her super bluesy guitar riffs and solos give it a slightly more old timey flavor. And her jazzy,growling and sometimes unpredictable vocals give the song an emotional vibe on par with the strongest end of the mid 70’s female perspective. When thinking of what would’ve been Snow’s 67th birthday, this song somehow seemed exactly the right one to overview from a funk/soul perspective.

 

 

 

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