Kool & The Gang’s period of being produced by Brazilian jazz funk Eumir Deodato represented the third stage of their musical evolution. The Jersey band started out with their heavy jazz funk style of such albums as Wild & Peaceful and Spirit Of The Boogie. Than they made a series of albums that reflected a growing disco funk vibe from Open Sesame on through their first Deodato production in 1979’s Ladies Night. After that, the band embraced a more post disco/boogie funk oriented sound with radio friendly pop elements. By the mid 80’s, the band were basically radio friendly dance pop.
Dealing with K&TG as album artists in the early 80’s was a daunting task for me,having long accepted them as a singles act during that era. One day while looking through the cutout CD bins at a record store called Strawberries in the mid 90’s, I came across a K&TG album from 1982 entitled As One. I recognized the song “Big Fun” on it. And was happy to be able to hear it on the car CD player on the way home. The very first song that played upon popping it in helped me to really understand K&TG’s 80’s funk variant very well. And the name of this particular song was “Street Kids”.
George Brown’s drum kickoff begins the song before he puts himself into an in the pocket dance friendly beat for the remainder of the song. Deodato’s bubbling synth bass then proceeds to play call and respond to a two note synth-likely an OBX played by Ronald Bell. On the chorus, JT Taylor’s falsetto vocals play to the tune of Charles Smith’s liquid rhythm guitar-along with the bands powerful and melodic horn charts. There’s a B section with a sustained orchestral synth plays in the back round. This repeats somewhat later in the song as an extension of the chorus,which fades the song out in the end.
“Street Kids” is, to me, a superb example of Kool & The Gang adapting their sound for the post disco/boogie era. The horns,guitars and drums are still all the way live. But orchestral and bass elements are now electronic. The lyrics about street kids who “like to play Captain Video” and “doing the motor roller” go right with it. And the groove itself is squarely in the classic funk framework-right in the pocket and right on the one. JT Taylor has a tremendous vocal showcase here. You get his usual smooth tenor, his breathier falsetto and even his rapping. Part of a strong post disco reboot for this iconic funk band.