Steely Dan disbanded after the release of their 1980 album Gaucho. Walter Becker retired with his family to Maui. Donald Fagen released a very successful solo album in 1982 called The Nightfly, basically semi-autobiographic nostalgia that served as a musical followup to Gaucho to a degree. Becker did occasional production work,in particular with the British group China Crisis in 1985. After some aborted sessions after working together with singer/model Rosie Vela in the late 80’s, the pair came together with Becker producing Fagen’s sophomore solo album Kamikiriad in 1993.
With that album being a positive experience, the two launched on their first live tour in roughly 20 years in 1995- for both Becker’s solo album 11 Tracks Of Wack and a box set containing remasters of all their studio albums Citizen Steely Dan. This prompted their first live album Alive In America. A couple of years later, Becker and Fagen were recording Steely Dan’s official follow up to Gaucho. In 2000, the album came out as Two Against Nature. Much to my surprise, it won album of the year at the 2001 Grammy awards. The opening song that got my instant attention is called “Gaslighting Abbie”.
Ricky Lawson’s hi hat heavy drums start off the groove with Fagen’s Fender Rhodes/ Clavinet and Becker’s high rhythm guitar playing a brittle call and response. Lawson’s drumming gets into that slow,funky beat-with Becker and Fagen’s Rhodes/rhythm guitar continuing for the refrains of the song. The B section and choruses takes the song across several chord progressions. On the second refrains, the horn charts quietly enter the mix. On the bridge, Dave Tofani plays an electrified sax solo before Becker takes a guitar solo. An extended refrain plays out with a sustain horn chart fading out the song.
“Gaslighting Abbie” basically picks up where the musical approach of Gaucho left off. Rhythmically its structured as a strongly funk based composition. In terms of the notes,chords,harmonies and instrumentation however, the vibe of the song is highly jazzy. It establishes Steely Dan as perhaps being their own particular sub-genre of music as opposed to a group embracing many genres. Becker, Fagen the the players they work with fully understand the composition their dealing with here. And it made it a fresh and very familiar start to the first album of their early aughts comeback.