Yep, for years this had me pretty fooled. With a title such as ‘Collection’ it instantly implies an anthology. Well it is and it isn’t. What this offers IS a collection in fact,of the two albums Tony Williams and his New Lifetime released in the mid 70’s namely 1975’s Believe It (with which this CD shares the same basic cover art) and the following years Million Dollar Legs. Both albums are very different and both quite special. The term Lifetime has been used not only for Tony’s first acoustic solo album for Blue Note but also for another group he formed earlier in the 70’s.
And so it continued with these albums,this edition of the band featuring Allan Holdsowrth,Alan Pasqua and Tony Newton on bass and vocals were applicable. With years of experience and prestige in Miles Davis’s classic 60’s quintet Williams had the opportunity to keep going nearly indefinitely without the need to prove himself musically. All the same,even before the fusion years Tony Williams was a huge classic rock fan (Beatles,Rolling Stones,etc) so by the time the electric period of jazz/fusion came in he was more than prepped as a musician for the thudding loudness of rock n roll drumming and on all of the tunes here that’s very apparent.
Not only that but this is fusion that takes more cues even than usual from it’s rockier side with Holdsworth laying down some particularly gritty rock guitar solos on crawling,churning heavy jazz rockers such as “Fred”,the intense and tight “Red Alert”,”Mr’Spock” and Tony’s own composition “Wildlife” whereas “Snake Oil” and “Proto-Cosmos” favor a somewhat more funk centered sound with a bit more subtlety. By the time we get to “Sweet Revenge” from the second album presented there was a big change in sound. The thudding rock rhythms and guitar solos were replaced by a streamlined funk/fusion sound complete with horn charts,more prominent synthesizer textures and even pop/R&B style vocals from Tony Newton on “You Did It to Me”.
Now that’s not to say Williams neglected the heavier rock fusion element to his sound as “Million Dollar Legs”,”Joy Filled Summer”,”What You Do To Me” and the extended 9 minute workout of “Inspirations Of Love”, with it’s memorable catchy melody and BAAAAD drum solo from Tony towards the end show that he had absolutely no intention of neglecting his way with jazz musicianship and improvisation. Much as with his old boss Miles,Tony was able to allow huge changes in his music while still maintaining a style that was distinctly his as well as contributing positively to the continuing development of the then still relatively new genre of fusion.