Prince’s album 20Ten is celebrating its sixth anniversary this summer. It was Prince’s final album before laying low in terms of full length album released until he resigned with Warner Bros in 2014. It’s available for streaming and download today through the Tidal service. However not too many years ago,it was among the many rare Prince studio albums that wound up having a quirky distribution in terms of physical media. Personally, it’s one of the favorite Prince albums of his last decade. My favorite of that time period being Hitnrun Phase II-initially a Tidal exclusive until it’s CD release shortly after his death.
Always one to look to the futurism of his music,Prince seldom returned back to the stripped down,synth based Minneapolis sound he helped pioneer during his salad days. Wasn’t until well into the new millennium that he started to realize just how much the style of funk he’d spearheaded was effecting contemporary music. On the 20Ten album,he showcased this very successfully on a musical level. At the same time,these MPLS grooves were accompanied by his more matured lyrical content throughout a good majority of the album. One fine result of this is a song called “Lavaux”
A two beat drum machine pulse kicks off the song. A thick slap bass line comes in as part of the songs main section. This finds the thick sheets of analog synth brass accompanied by thick bass/guitar interaction and rhythm right in the pocket of the Afro-Latin clave. The rhythm guitar is very much out of the classic Prince school-chunky and played relatively high up on the neck of the instrument. Only on the choruses does the song break-changing melodic pitch with Prince’s vocals. After another few rounds of the songs main section,it very abruptly comes to a sudden stop.
In many ways,this song could’ve been something Prince had recorded during the 1999 sessions. Especially with it’s phat analog synths and the masterful drum programming. What makes this song stand out from Prince’s early 80’s sound is its thematic content. This isn’t a young man with seemingly conservative attitudes about fearing nuclear war and indulging in hedonism. This is a song from a middle ages artist who’s travelling across Europe because being back home is “another form of slavery” and that”the cost of freedom is anything but free”. Its therefore the MPLS sound most fully realized.