Singer/songwriter/producer/arranger/preacher Andrae’ Crouch already had a very success career with his group the Disciples during the 70’s before venturing out on a solo career during the early 80’s Always consistent in his ability to be musical mission to really bring out the strong gospel core in modern soul and funk music? Many of the musicians that he was working with during this time were likely bringing him a level of awareness that the danceable soul and funk music was adapting to new and electronic oriented instrumentation during the mid 80’s in particular. It was something any gospel act influenced by these changes would have to face. And bringing some familiar instrumentalists along with him? Crouch dealt with it as he always had.
“Got Me Some Angels” starts off the album with a brittle,new wave inflected sound that’s filled with sharp bass synthesizers and accented by the ever-present electric bass thumping of Abraham Laboriel. “Right Now” combines that same modern touch with the classic uptempo soul shuffle and gospel organ swirls with the vocals of Motown’s Tata Vega for one of the most musically powerful songs (and a personal favorite) from this album. “Jesus Come Lay Your Head On Me” and “Somebody Somewhere Is Prayin’ (Just For You)” are both funky slow jams featuring the sweet vocals of Kristle Edwards. The title song is another bass heavy electro funk number that sounds similar to a religious song the Dazz Band would’ve been comfortable with instrumentally at this time.
“Livin’ This Kind Of Life” is my favorite on here-a slinky jazz-funk groove featuring the late,great Joe Sample on some tasty Fender Rhodes electric piano licks while “His Truth Still Marches On”,”Oh,It Is Jesus” and “Always Remember” are swirling,chorus field gospel ballads in Crouches classic style. The only reason I know anything about Andrae Crouch at all is because my father played this album quite a lot on vinyl when I was a child. Coming from a a non Christian family who never,ever attended church? My father made sure to expose me to gospel music early on-with the idea that it was an integral part of black American culture (especially in terms of the civil rights movement) and that this variety of spirituality was an important part of my own cultural heritage as well. There’s many ways for non Christians to love gospel music. And the funky soulfulness of this 1984 album was how it entered into my own life.
Originally Posted On January 9th,2015