On their final 70’s album Energy To Burn,BT Express showed themselves to be a band who was in the process of slickening up their sound. One year after that their keyboardist Michael Jones,key to their new sound,left the band under his new name of Kashif Saleem. He would of course go onto become one of the premiere producers of the next decade and a key architect of the boogie funk sound. What would be left for guitarist/singer Rich Thompson and company to do within the band who had only a few years earlier been so successful. Similar to Gil Scot Heron and Brian Jackson,B.T Express elected to title their 1980 album after the year itself-every bit as symbolic of their comeback as with the changes any musician could see coming up from under the groove at the time.
“Takin’ Off” begins the album with a symphonic fanfare of horns before launching into a hyper kinetic,percussion dance/funk number. “Heart Of Fire” literally doesn’t skip a heart beat,with a rhythm helped along by a punchy had smooth as glass synth bass intro that repeats on the refrains of the song. “Does It Feel Good To You” has a strong choral melody and a bass/piano led disco friendly dance/funk number with some powerful horns and percussive effects. “Give Up The Funk (Let’s Dance)” leaps right out as a possible best track on the album with it’s rapped intro increasing in volume until the slow 4/4 beat and percussive early drum machine kicks in to Thompson’s hard groove rhythm guitar and the classic B.T. Express call and response horns,vocals and percussion.
“Closer” and “Better Late Than Ever” are both fine ballads that are beautifully orchestrated and melodic while “Have Some Fun” is another disco friendly melodic dance/funk groove. “Funk Theory” ends the album on a rhythmically and melodically dynamic Brazilian dance/funk note with lyrics that talk about how especially in uncertain times,funk music has enormous power to bring different people together to do their dances-whatever they may be. Musically speaking this album has exceptionally high energy level. Possibly taking cues from Barry White and Quincy Jones’ productions of that era,the sound is extremely crisp and studiocentric rather than the more live sound the band was noted for. Not only that,but it really tuned into funk futurism. What with the mixture of drum machines and live drumming and at least one nod to the oncoming presence of rap. A wonderfully funky B.T. Express intro to the 80’s. And very likely more important to where the music had been and where it was going than anyone may even still think.
Originally posted on January 16th,2015