By the time 1980 rolled around? The new decade found The Commodores as basically Motown’s premiere band. One capable of delivering on the hardest funk and the most delicately crafted,down home country soul ballads. Considering the band members all met at Tuskegee Institute,at the height of the civil rights and black power movements? It only seemed appropriate that as the less than certain social/racial atmosphere of the then new decade began to reveal itself? That the band would find a meaningful way to comment on the situation. This came in the form of the title song to the bands release from that year entitled Heroes.
Walter Orange starts of the song with a loud drum kick and proceeds to brush away lightly. All over a string and horn chart that descends into a stripped down ballad with Lionel Richie’s plaintive vocal lead accompanied by Milan William’s acoustic guitar-with accents from Ron LePread’s round slap bass licks. On the choruses? The drum kicks off into more of a big beat type sound-along with an almost rather staccato Brazilian type guitar lick. On the final refrain of the song? The band all join together for a heavy,bass/guitar driven funk stomp where the string section plays the bluesy melodic accents of that very same bass/guitar interaction right along with it.
Instrumentally speaking? This song showcases the strong musical breadth that The Commodores possessed during their prime. The focus of this song is often very spare-with the acoustic guitar,light drum brushing and bass accents leading much of it. In the tradition of mid 70’s Motown hits such as “Love Hangover” that showcased strong juxtapositions of groove and changes in tempo? This song starts out in a manner that doesn’t particularly suggest it’s ever going to be a funk jam. Yet that’s just what it becomes by the end. And it’s not an abrupt change. The changes in tempo,rhythm and feeling changes throughout the song-so the transition into hard funkiness is totally natural.
Much of the strong mood music this song presents comes out of it’s lyrical content. In addition to their Southern American heritage? Growing up in the era of the major civil rights gains of the 1950’s? This song eloquently and beautifully pays tribute to many of the historical figures and leaders who helped to advance the cause of liberation for black Americans over time. And interestingly enough does so without naming specific names. Well aware of the importance and rarity of them having black management in the personage of the late Benny Ashburn? This song basically speaks to the vital significance of being able to have internal icons black American’s can celebrate. In today’s world where some black people seem to all too easily apologize for even the cruelest of white racists? This is a song that I feel more young people today should hear and know something about in terms of it’s subtext.