Sentimental as this may seem the recent passing (as of this review) of Marvin Isley set me to bring out this CD that I bought twelve years ago and have listened to maybe twice since that time. Having been used to the some of the Isley’s 70’s music and having not heard their transitional material up to this point,this albums sound was a little shocking at the time. And it was actually something of a new sound for them. Any of those familiar with their often forgotten previous album The Real Deal had actually dabbled in some new production elements while staying true to their 70’s 3+3 sound the same as their first few 80’s recordings had. Chris Jasper had a very strong play in this album in general and the result,being a keyboardist all too familiar with the world of electronics he basically just bumps that element in the music a great deal. In fact if it weren’t for the strong presence of Ernie Isley’s guitar solos this album would’ve actually sound mostly like the work of a multi-instrumentalist even though it wasn’t. Overall this album has a pretty contemporary flavor for it’s era but there are some elements and even distinct songs that still maintain their distinctive 3+3 sound.
Basically Chris Jasper and the two elder Isley’s Kelly and Rudy weren’t exactly getting along as it seemed their presence in the recording process was somewhat relegated to back round vocals as Ron took the main leads. Well this album didn’t change that but all the same the vocal back rounds are important to this album,as is the fact Chris Jasper and Ron share a good number of the leads as well. The album starts out with two ballads in “Choosy Lover” and “Touch Me”. Not bad slow jams but the REAL meat comes with the title track,”I Need Your Body” and “Let’s Make Love Tonight”,three seductive electronic soul/funk in the vein of Sexual Healing with the mild Calypso flavored rhythm of the song as well. Even still Jasper’s distinct touch on synthesizer on these tunes,which kind of flow together like a mini funk suite make them very distinctly Isley Brothers. After that the album,on what would’ve been Side B on the original vinyl or cassette tape really takes on a more diverse tone. “Ballad For The Fallen Solider” is one of the most powerful tunes on the album,a well produced rock n soul tune that tells the tale of a man recounting how his father went missing in action whilst fighting in Vietnam and even calling his congressman gets him nowhere.
“Slow Down Children” is the one tune on this album with a decidedly Isley 70’s flavor,with that big bubbly synthesizer of Jasper,the slow crawling funk rhythm and the Isley’s throaty harmonies dominating the production. The last three cuts in contrast are the most modern. “Way Out Love” and the near instrumental,Vocoder heavy “Rock You Good” both strongly showcase the early hip-hop/electro funk sound and although I am not sure I’d bet along with the title track these songs are probably very heavily sampled by hip-hop/scratch/electronic samplers. If they aren’t they probably should be because their sound was influential on much of that. “Gettin Over” is more of a new wave styled electro/dance tune which showcases the Isley’s moving forward into the 80’s with rock and not just R&B because,considering their place in the music’s history they just saw how rock,R&B,soul,blues,funk and hip-hop all kind of bled together after a point. Even if this album marked the end of the Isley’s acclaimed 3+3 lineup this found them on something of a commercial upswing. Not only that but they did so by continuing their long tradition of adapting their own sound to the new musical generation without losing their identity.
Originally posted on June 7th,2010