Category Archives: Bill Champlin

Anatomy of THE Groove: “Take It On Up” by Paulinho Da Costa

Paulinho Da Costa has probably played on more albums than any other musician of the late 20th century. Possibly thousands. So chances are if you look in the notes of any pop,soul,R&B,funk or jazz record of the 70’s or 80’s, Da Costa’s name will probably be on it.  The man began learning percussion as a child in Brazil-emerging from the samba genre to became one of the most regarded percussionists the world over. After playing with Sergio Mendes And The Brasil 77 in the early to mid 70’s, Da Costa got signed to Norman Granz’s Pablo label. This allowed him permanent residency in the US.

My first direct encounter with Da Costa’s sound was of course via his epic work with Michael Jackson on “Don’t Stop ‘Til You Get Enough”. All of a sudden his name appeared as the percussionist on album every bit of used vinyl I got my hands on. After browsing through a Fantasy Records CD catalog in the late 90’s,it listed a handful of solo albums Da Costa had recorded. One was from 1979 and called Happy People. It included some Earth Wind & Fire members along with Greg Phillinganes and Nathan Watts. One song I just heard from it really got my attention-called “Take It On Up”.

The sunny,melodic horn charts play festively over Da Costa’s intense percussion. A rhythmic electric piano,a revving high pitched rhythm guitar and an elaborately scaling bass line keep the rhythm steady throughout the song. Bill Champlin sings the lead vocal-accompanied on the chorus by a group of female backup singers. On the bridge of the song,all of this instrumentation comes to a high key pitched-with the fanfare of the horn charts filled with as much joy as funk can muster. One replay of this bridge comes into play before the chorus of the song fades it right out.

“Take It On Up” is one of those high energy Brazilian funk numbers that maintains a super high level of joyous musicality all the way. Surrounded by a group of A-1 session players from the jazz and funk scenes of the day,this is also some of the most well recorded (and generally presented) uptempo jams of it’s time. Da Costa’s percussion is mixed right up as the star of the show-right up with the blaring horns and Champlin’s tough, aggressive lead vocal. Happy People isn’t an easy album to locate these days. But with online video streaming,songs like this incredible melodic funk groove can be enjoyed by more people.

 

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Filed under 1970's, Bill Champlin, Brazil, Brazilian Jazz, Funk Bass, Greg Philinganes, horns, Latin Funk, Nathan Watts, Paulinho Da Costa, percussion, rhythm guitar, samba funk, session musicians