Bobby Taylor epitomizes what a phrase Henrique Hopkins told me several years ago. That in terms of making a difference in life, there are tree shakers and there are jelly makers. To extend the metaphor, DC native Bobby Taylor didn’t shake many trees save for the hit “Does Your Mama Know About Me”. And I myself only found out about him as a teenage watching a VHS copy of the 1988 Showtime documentary called Michael Jackson: The Legend Continues. It was MJ’s brother Marlon who mentioned Bobby Taylor’s place in his history as the man who brought the Jackson 5 to Motown.
Taylor began his singing career in NYC-with a doo-wop group whose other members later joined the Teenagers and the Imperials. It was journey from groups in Ohio,San Francisco that led to him migrating to Canada and forming a multi racial band called the Calgary Shades. During this time, he had been in a band with a man who’d later become the drummer for Three Dog Night. As for the Calgary Shades? The name came from the multi racial nature of their members. One of them was a young Tommy Chong, who would of course later go onto a career in comedy with Cheech Marin.
It was Supreme’s Mary Wilson and Florence Ballard who alerted Berry Gordy to the newly rechristened Bobby Taylor & The Vancouver’s after seeing them live. They had a live repertoire of mostly Motown covers. Gordy signed them to the self named imprint of Motown. The Vancouver’s eventually broke apart due to a disagreement with Johnny Bristol and their headliner Chris Clark, who fired a couple members of the bands for missing a big whilst trying to obtain green cards. But they did record one self titled album on Gordy before this occurred.
Taylor’s history with the Jackson 5 is another story. In 1968, the Jackson brothers opened for the Vancouver’s at Chicago’s Regal Theater. Taylor was so impressed, he brought them to Detroit to audition for Suzanne De Passe and in turn Berry Gordy. The band were signed to Motown in a years time. Taylor was their first producer. He was involved in producing tracks for their debut album. Including an 11 year old Michael’s show stopping version of “Who’s Lovin’ You”. His emphasis was on classic soul cover songs-from within and without Motown.
What happened was that the J5’s debut was called Diana Ross Presents The Jackson 5. She was even credited as discovering them by Ed Sullivan on their first appearance on his iconic variety show. As Motown began moving its operations to the West Coast, Gordy didn’t give any credit to Taylor’s earlier work with the Jackson’s. While he did work with them a bit in LA on their second album ABC, Gordy along with Fonce Mizell and the late Deke Richards took on writing and producing for them. Taylor’s solo career on the labels VIP imprint went nowhere. He was dropped from the label and faded into obscurity.
Despite being something of the poster man for Motown’s lack of support for its behind the scenes people during its move from Detroit to LA, Bobby Taylor’s place in the labels late 60’s history remains carved in stone. He died of cancer on July 22nd of this year in Hong Kong. But bringing in what became the last of Motown’s classic groups in the Jackson 5 was no small feat. He even made some of the most insightful commentary on MJ on the documentary Michael Jackson: The Life Of An Icon. So while belatedly so, wanted to remember Bobby Taylor for the great work he did in Motown’s peak.