Jesse Johnson has had been a major, if often commercial underrated, contributer to the modern funk age. From the mid 1980’s to the present day. His career arc has taken him from the Prince-derived funk band The Time to his current gig playing with D’Angelo’s band The Vanguard. No irony is lost that D’Angelo is an artist often mentioned in terms of carrying on Prince’s musical legacy now that Mr.Nelson is no longer with us. Johnson has also had a sporadic solo career over the years as well. Yet there was also his first group after leaving The Time who were vital to him getting his own groove on.
The Rock Island,Illinois native began playing guitar at 15. After moving to Minneapolis,he became a member of Morris Day’s first group Enterprise before becoming the lead guitarist in The Time. Seemingly frustrated over Prince’s lack of interest about his creative input in the group,Johnson left The Time after 1984. He signed to A&M as a solo artist. And took second tier Time members Mark Cardenas and bassist Gerry Hubbard with him-along with several others to his new band called the Jesse Johnson Revue. My favorite track on their self titled 1985 debut was called “She Won’t Let Go”.
The sound of low church bells begin the song before Bobby Vandell’s drum kick comes in with a revving synth bass. Vandell keeps the hefty rhythm going with a steady,brittle and funkified shuffle throughout the song. There are three main synthesizer parts. One is a quavering one that simulates the bell at the start of the song,on is a deep pulsing synth bass,and the other are Minneapolis style synth brass charts playing the changes. On the bridge of the song,Vandell’s drumming leaves more space between the beats for Jesse’s chicken scratch rhythm guitar to solo before the song fades out on it’s main chorus.
To me anyway,this song is a standout Jesse Johnson solo number because it extends on the direction he was taking on The Time’s “Jungle Love”. This song has the trademarks of the Minneapolis sound-with the heavy use of synth brass and bass. But the sound is far busier than the lean,stripped down sound Prince pioneered earlier. So it showcased purple funk as something evolving into a bigger and more dramatic synth/electro funk sound. Jesse’s guitar playing also has a lower,more aggressive sound to it. So this song is one of many songs that represent Jesse Johnson’s contributions to the evolution of twin city funk.