Captain & Tennille were a pop act that defined the late 70’s. They mixed singable,radio friendly melodies with a keyboard based sound. Daryl Dragaon was a former LA surf musician and keyboardist for the Beach Boys in their early 70’s. Toni Tennille-native of Montgomery Alabama,she attended Auburn University there and studied classical piano. After her family moved to California,Tennille was commissioned to write music for a rock musical called Mother Earth. It was on tour with this production in San Francisco that she met her future husband/musical partner Daryl Dragon.
Their first and most iconic song was the Neil Sedaka penned “Love Will Keep Us Together” in 1976. One thing I’ve realized over the years is how much talent Tennille possesses as a composer and vocalist-with her elaborate melodies and soulful belt of a voice. By the end of the 70’s,the Captain & Tennille arrived at Casablanca records-to pursue a more soulful,funky sound. One of the songs from their 1979 album Make Your Move reflected this. It was their version of the song Crusader Stix Hooper penned for B.B King called “Never Make A Move Too Soon”.
The sounds of a small nightclub audience opens up the album just before Ralph Humphrey’s five not,percussive drum kickoff chimes in. That along with Abraham Laboriel’s thick,spacious five note slap bass riff. Dragon’s organ like keyboards accent this before the first bars of the song begins. It starts out with a stripped out funky dance drum stomp with the bass hitting the end of every bar. It builds into a bigger mix with a consistent slap bass line,organ and horns. These horns accompany Dragon’s synthesizer solo on the bridge before a repeated refrain closes out the song with huge horn fanfare.
‘Never Make Your Move Too Soon” is a superb example of a sleek blues/funk stomp in the late 70’s. And from a group associated with big pop smash hits such as the ballad “Do It To Me One More Time”,featured on this same album as well. Tennille delivers this sassy tale of a gold digging male lover with the entire female equivalent of the thick vocal growl that B.B. King had brought to the original recording. The fact that this and its 1980 followup Keeping Our Love Warm was a full on contemporary soul/funk album made one wonder where this duo might’ve gone in continuing in this new musical direction.
B.B. King’s career arc was on the same timeline as the Jazz Crusaders basically-only coming from different trajectory’s. King was developing in within the electric blues tradition while Joe Sample,Wayne Henderson,Wilton Felder and Stix Hooper were developing a rather more potent hybrid. Yet both were heavily indebted musically to their strong Southern flavors. And with King’s 70’s era recording output being a bit uneven in some people’s eyes? It seemed more than a little serendipitous that the Crusaders,by the late 70’s a trio and King would eventually recorded together. Much as Sample had helped do with the Jackson 5 on their latter days at Motown? Well now he,Wilton and Stix would be helping out a musical icon. Somehow,everything just rolled right along. And here’s the result.
“When It All Comes Down” is an electric blues shuffle basically,of course with that Crusaders sense of precision rawness-full of electric piano and a locked down rhythm. The title track is one of my favorites on the album-totally in the late 70’s Crusaders style slow crawling,electric piano/sax oriented funk vein with Lucille moaning out BB’s classic blues. “I Just Can’t Leave Your Love Alone” is a fascinating number-a very high stepping country-funk type sound (as some might view it,anyway) that also has a swinging,jazz ragtime sort of arrangement about it. In a way that all may be full circle anyway,but its a strong and exciting number. “Hold On (I Feel Our Love Changing)” has some swirling electric piano/keyboard riffing about it that has a soulfully funky elegance about its medium tempo balladry.
“Never Make Your Move Too Soon”,which I’ve only heard by the Captain & Tennille is presented here as a high stepping,funky blues stomp while “A World Full Of Strangers” and the amazing closer “Let Me Make You Cry A Little Longer” deal with serious,down in the groove funk stomps-with Felder’s bass interactions really coming into play on the latter. Overall BB King and the Crusaders’ late 70’s jazz/funk sound go together like a hand and glove on this album. It almost sounds to me as if this was the way BB King should’ve more or less evolved musically from the very start of the 70’s. One could only imagine if BB had the Crusaders playing with him from their “Put It Where You Want It” days of the earlier 70’s. But taken as it was,this reinvented the framework for King’s already renowned vocal/guitar technique-which in and of itself,of course,needed absolutely no tweaking. In the end,this was the beginning of what turned into two highly successful albums for BB King and members of the Crusaders.
Originally Posted On September 17th,2014
Link to original review here*
Filed under 1970's, B.B. King, Blues, blues funk, Captain & Tennille, Crusaders, Funk, Jackson 5, Jazz-Funk, Joe Sample, Stix Hooper, Wilton Felder