Chairman Of The Board are a true example of just how deeply seeded the Motor City soul sound of Motown became by the end of the 60’s. The late “General” Norman Johnson was the groups lead singer. He had started out in a group called The Showman. And when Motown’s classic songwriting trio Holland/Dozier/Holland left Motown to form their own label Invictus (also home to George Clinton’s Parliaments at the time), Johnson was paired with Eddie Curtis,Danny Young and the Canadian native Harrison Kennedy to form Chairman Of The Board.
The band had their debut hit in 1970 with “Give Me Just A Little More Time”. Musically it was squarely within the classic Motown style soul sound. What made it so unique was Johnson’s hiccuping,idiosyncratic lead vocals and very strong songwriting. By the mid 70’s, most of the members of the group were on the way to solo recording. The groups place in funk history was confirmed by their final album in 1974 entitled Skin I’m In. It was produced by another Motown alumni in Jeffrey Bowen. And one of its key numbers was its title song.
A swirling,bluesy rhythm guitar and bass bursts open the song. That guitar gradually mutates into a fuzz tone. And as the slow,funky drum slogs its way in,that rhythm guitar is accompanied by a fuzz toned one. As the song progresses,Johnson’s rangy vocals build up the song musically with Clavinet riffs and horns that build in intensity during the choral sequences. After a thunder like burst of sound, an instrumental bridge consisting of bell like synths and piano scaling returns the songs to its horn/Clavinet/bass and guitar oriented chorus until the song fades itself out.
“Skin I’m In” is the very funkiest song I’ve ever heard from Chairman Of The Board. Of course, was somewhat prepped for it by my literary funk research during the late 90’s and early aughts. Musically its a supreme example of slower rhythms making a song funkier-and full of a psychedelic soul blusiness in the instrumentation and melody. Johnson’s lyrics about black Americans consistently being kept from progressing in America is “united funk” at its finest too-with him exclaiming on the choruses “Its so HARD to live in the skin I’m in!”. So this is prime mid 70’s funk with a message!