Eddy Grant first came to my attention in the same manner as he did most people around the world. And that was through his massively successful 1982 new wave funk/rock hit “Electric Avenue”. Actually that’s an excellent introduction to this artist. Fact is,Eddy Grant is a pretty amazing artist. This Afro-Briton multi instrumentalist was born British Guiana. He recorded his first album on his own Ice House label. And that label has since developed the largest catalog of Caribbean music in the world.. In addition to providing a wonderful business model for black DIY artists,Grant was also someone who absorbed a great deal from the 70’s funk/soul groove aestetic.
Grant’s musical grounding is so strong that he actually invented a specific genre himself called ringbang. It functions as a combination of different Caribbean musical styles. Grant himself describes this genre in very Afrocentric terms-that is as a music that’s totally oriented around using rhythm to communicate messages between those listening. As his music progressed,it took on a great deal of sociopolitical messages within the lyrics. Specifically focused on ending Apartheid in South Africa. At the end of the 70’s as the disco era was coming to a close,Grant spun his own take on futurist dance music with his 1979 hit song entitled “Waling On Sunshine”.
An uptempo percussive beat begins the song right off and keeps itself going throughout the song. A bassy Clavinet plays a purely rhythmic role throughout the song right along with the main percussive fueling the groove. On each chorus and refrain,the Afro Beat/reggae styled horns pulse and play away. When the song reaches a bridge,there’s a round wah wah guitar playing an extremely funky riff that keeps on going through some sweaty vocal call and responses. On the next instrumental section,a popping early drum machine pulses up and down before the horns come back into play for some heavy charts. The song fades out with Grant harmonizing with himself on some jazzy falsetto vocals.
Having listened to this song several times all the way through online over the past couple of years,something important about it really occurred to me tonight. This song might very well come as close as the planet Earth can come to perfecting late 70’s pan African funk. Even though it would be well over a decade before Grant would coin his ringbang genre, songs such as this made it clear that funk played a huge part in it. The combination of African style horn charts and percussion with electric piano would resonate onto other Afro Funk classics in the coming years such as Rim & Kasa’s “Love Me For Real” four years later. And this song is a prime example of Eddy Grant at his most fully funky.