Category Archives: Four Tops

Grooves On Wax: Funky Music Spinning On A Rough Week

Up Pops Ramsey Lewis

This is the first in a series exploring the vinyl records I’m spinning on my turntable. Often at the very same time these articles are being shared with the online community of soul funkateers who support this blog. This first on today’s list is the 1967 album Up Pops Ramsey Lewis.  It was during the period when Maurice White was the drummer in the band and is super heavy funk process soul jazz straight out of Chi-town.

Key jam: “Party Time”

Changing Times

Frank Wilson takes the Four Tops in a grand cinematic soul direction on this 1970 album. It was changing times for Motown,moving out to the West Coast when this was recorded. And it was changing times for America 60’s had just come to an end. The Tops mixed covers and originals here in a strong song cycle across two sides of the record!

Key Jams: “These Changing Times” and “Try To Remember”

Bautista

Roland Bautista was Earth Wind & Fire’s supplicant lead guitarist-both preceding and succeeding Al McKany in 1972 and 1981 respectively. In between that time,he recorded two albums as a leader. This is his first from 1977. It’s a wonderful mixture of funk,Latin rock and jazz fusion.

Key Jam: “Diggin’ It In”

Slick

Eddie Kendricks’ final album for Motown in 1977 finds the former Temptation  really getting into the grooves with ballads and uptempo songs bring that big band R&B/jazz flavor out in the type of melodies that Motown’s king of falsetto loved so well.

Key Jams: “Intimate Friends” and “California Woman”

Brasil 88

Sergio Mendes followed on his New Brasil 77 with a new idea the following year. Some years ago,this album cover lured me in. Not only was it a happy find on vinyl,but the fact it contained two ticket stubs to one of his concerts from 1978 was more than the icing on the cake for this bright and slick Brazilian pop jazz set.

Key Jam: “Tiro Cruzado (Crossfire)”

feel the phuff

Kenneth “Babyface” Edmonds got his first band big with this Indianapolis band after a stint with Bootsy Collins,who apparently gave him the Babyface name to start with. Manchild had a very adventurous funk/blues/rock flair,not to mention a few potently arranged ballads. Edmonds really ripped on the rocking guitar solos here Ernie Isley style too on the bands 1978 sophomore set.

Key Jams: “The Phuff” and “Rowdy-Dowdy Blues”

Summertime Groove

Hamilton Bohannon,former Motown session drummer and member of Stevie Wonder’s late 60’s band, gives the drums the extreme funky workout on “Let’s Start The Dance” to get this party started. But it doesn’t stop there. Especially on the uptempo songs,the songs have a heavy and funky danceability with a distinctive kind of focus on the funky drummer himself.

Key Jams: “Summertime Groove” and “Let’s Star The Dance”

minnie_riperton_love_lives_forever

Minnie Riperton’s posthumously released final album from 1980 is a sleek,jazzy affair. Plenty of West Coast style light funk and soulful pop well suited for Minnie’s amazing range. She recorded the vocals for the this song in 1977 while people such as Greg Phillinganes,Harvey Mason,Lee Ritenour,Paulinho Da Costa,George Benson,Tom Scott,Michael Jackson and Stevie Wonder helped to complete the music for this as produced by her widower Richard Rudolph.

Key Jams: “Strange Affair” and “Island In The Sun”

Learning To Love

Rodney Franklin is one of the more unheralded jazz-funk keyboard player so late 70’s and early 80’s. Known primarily as the composer and performer of the TV theme song Hill Street Blues,his 1982 album Learning To Love goes from slick,liquid pop/funk songs to exploratory fusion funk/jazz improvisations.

Key Jam: “Enuff Is Enuff”

Game Of Life

T-Connection keep getting better to my ears. And loved their grooves the first time I heard them years ago. This Nassau band really impressed me with a copy of their 1983 album The Game Of Life that I found at my local record store Bull Moose. This is a fine example of melodic,well composed boogie funk. With a jazz Afrocentric twist of course. It even delivered a “people music” message song right off the bat with the title song as well!

Key Jams: “The Game Of Life” and “I’ve Got News For You”

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Filed under 1970's, 1980's, Babyface, Bohannon, Boogie Funk, Brazilian Jazz, disco funk, Eddie Kendricks, Four Tops, jazz funk, Latin Funk, Manchild, Minnie Riperton, Motown, Ramsey Lewis, record collecting, Rodney Franklin, Roland Bautista, Sergio Mendes, soul jazz, T-Connection, Vinyl

Anatomy of THE Groove: “The Show Must Go On” by The Four Tops

The Four Tops have always represented the ultimate human success of Motown. From before they signed with Berry Gordy’s now famous record label in the early days to the day lead singer Levi Stubbs passed on in 2008,the vocal quartet were an example of enduring together through the good and not so good times. Until each member died,the Four Tops never had a change in lineup. This might’ve lead to their longevity as hit makers too. With post Motown smashes such as “Ain’t No Woman (Like The One I’ve Got)” and the Top 10 R&B smash hit in the Philly inspired uptempo number “Catfish” in 1976.

It was around 1995 or so that I began exploring Motown acts beyond their reputation as “hitsville”. One day during that summer I was visiting an antique store with my family. And they had a selection of used vinyl. Among them were two ABC lable era Four Tops album in 1976’s Catfish and it’s followup from the next year entitled The Show Must Go On. Both of these records were filled with singable and highly danceable songs. Played both to the degree that they’re both new fairly scratchy. The song that’s continued to endure so strongly for me is the title song from the 1977 album The Show Must Go On.

A dramatic,descending horn fanfare opens up the song-just before the accompanying strings and hard swinging 4/4 drum beats kick in to the tune of a jazzy three by three not bass line. On the refrain of the song,Stubb’s customarily powerful voice thunders in with a highly rhythmic piano,Clavinet and and pumping disco bass propel the groove forward. The intro appears as a buffer between each refrain-only with a vocal part. The bridge of the song strips down to the drums,slapping bass and Clavinet before slowly building the horns and strings back into the musical conversation before it fades away.

With group member Lawrence Payton helping out with the arranging on this song, it’s right up there with some of the finest Philly style funky disco records of the mid to late 1970’s. The strings,horns and other instrumental sweeteners have a strong power that draws the listener into the intensely powerful rhythm section. The rhythmic Clavinet on this song is a funkified beast all of it’s own-played so low and so heavily it almost sounds like genuine percussion. As time had marched on,my appreciation for this groove after learning so much about what goes into creating music has only increased!

 

 

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Filed under 1970's, clavinet, disco funk, drums, Four Tops, horns, Lawrence Payton, Levi Stubbs, Philly Soul, piano, slap bass, strings