Jennifer Lopez,that Bronx born Nuyorican “Jenny from the block”,had a fabulous career as an actress in the mid 80’s. Her fame skyrocketed when she stared in the title role of the biopic Selena,the story of the murdered Latin pop pioneer. When she began her musical career a couple of years later,she still held fast by her Latina heritage in that medium as well. Over the years,Lopez’s music has drifted further into hi NRG techno pop territory. In the beginning of her musical career however,she developed a creative team who helped her fashion danceable music that became popular by being pretty daring musically.
Racially speaking,I tend to culturally identify with my own Nuyorican back around-though it was my mother who was born in Brooklyn,NYC. So even though I never followed Lopez’s career intently,songs such as “If You Want My Love”,”Let’s Get Loud”,”Love Don’t Cost A Thing” and “Jenny From The Block” were always around on the radio and TV video shows during my early rising adulthood. Many celebrities get abbreviated nicknames. And Lopez set her’s up very early on-as the title for her sophomore album J.Lo in 2001. This album had a huge hit with what’s probably my favorite song of hers, entitled “Play”.
A deep choral synthesizer starts off the jam,essentially playing what becomes the regular bass line of the entire song. Than the drum machine kicks in playing an ultra funky, kicking shuffle. The lead synth and bass line are accompanied by a higher pitched trumpet like synth accent,and another that resembled a barking dog. A thick chicken scratch rhythm guitar introduces J.Lo’s vocal choruses and refrains. After one of the longest calculated musical pauses/breaks I’ve heard in modern music,that instrumental groove plays out the song as it fades out.
In the end,what does this song have to do with Prince? Obviously,he’s not creatively involved. But the musical approach,from the synthesizer arrangements to the rhythm guitar,are based in his approach to stripped down electro funk. With it’s fast tempo and heavy emphasis on danceability,this song also furthers the collaborative nature of the Minneapolis sound by taking a nod to the sound Jimmy Jam and Terry Lewis got with Janet Jackson in the late 80’s/early 90’s. “Play” showcases the durability of Minneapolis funk during the synth dominated early aughts. And is strong pop/funk for it’s time as well.