Category Archives: Jake One

Anatomy Of THE Groove for 12/14/2015: “Holiday Love” by Tuxedo

Tuxedo have already been pretty thoroughly covered on Andresmusictalk already. And it looks like Mayer Hawthorne and Jake One are at it again. Just in time for the holidays too. Since I got back into doing this blog with my “five days of funk” concept?  Have had some difficulty finding any nu funk to cover,which was part of my original intention. And this single of a new Stone’s Throw label compilation came at me via my YouTube subscription to the duo’s channel on that site. And the name of the song is “Holiday Love”.

The groove gets going with a percussive,mid tempo drum machine rhythm. This is first accompanied by a glossy orchestral keyboard harmony, along with a round and brittle synth bass line. The chorus is sung Roger Troutman style by Jake through a Vocoder. On the second chorus sung with Hawthorne harmonizing on lead? It’s all accompanied by the sound of sleigh bells in a similar manner to the Average White Band’s “School Boy Crush” from 40 years ago this year. It all outro’s it begins, along with the orchestral synth wailing away.

In many ways? This song completes an important multi generational triad of Christmas themed funk. It probably began with James Brown’s “Santa Claus Goes Straight To The Ghetto” in the late 60’s,continued on a couple years later with Donny Hathaway’s iconic funky soul of “This Christmas” and ends with the 80’s electro funk revivalism of this jam from Tuxedo. Musically it blends elements of Marvin Gaye’s “Sexual Healing” and Zapp’s “Computer Love”. Topped off with Mayer Hawthorne’s soulfully honey’d lead vocals.

Message wise the song is right on time. The music video depicts Mayer and Jake pitching woo to their girlfriends-culminating with drinking wine in bed-while all sharing in their musically creative process. It’s just a simple idea of setting time aside for your romantic partner as a holiday gift. Since the last three holiday seasons have consisted mainly of depressing,gun related mass shootings and the conservatively motivated contrivance of the “war on Christmas”? This funk will not only move,but might just remove those undesired effects this holiday season.

 

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Filed under "Sexual Healing", 2015, bass synthesizer, Christmas music, Donny Hathaway, drum machine, elecro funk, Jake One, James Brown, Marvin Gaye, Mayer Hawthorne, Stone Throw Records, synth bass, synth funk, Tuxedo, YouTube

Anatomy Of THE Groove for 4/24/2015: “So Good” by Tuxedo

It was actually Issue 61 of Wax Poetics magazine that made me aware of the existence of this duo. During the first half decade of the 2010’s? It would seem as if funk,especially it’s analog synthesizer oriented cousin known as boogie,has been rediscovered as a vital template for contemporary soul, electronic, pop and hip-hop artists. And it’s really been healthy for instrumentalists in particular. And happily it’s emerged again from a source that has been drawn to it for over two decades at this point.

Stone Throw Records has really upped the ante in terms of celebrating live instrumental hip-hop and it’s offshoots. From the days of Peanut Butter Wolf,through the late J Dilla and Madlib. This was the beginning of hip-hop’s journey around to straight up funk again. Now Tuxedo has emerged from this brew. Staring the musical talents of Seattle native Jake One,producer for contemporary rappers such as Drake and Rick Ro$$ along with singer/songwriter Mayer Hawthorne? The duo have come out with a self titled album including songs such as “So Good” here.

Starting off with an insistent percussion accented drum beat out of the “Billie Jean”/”Ghetto Life” early 80’s “naked funk” school? A phat bass synth opens the door for a sharp,punchy and higher pitched melodic synthesizer. Both of these analog synthesizers dance and bounce rhythmically to the slow dragging funky drum of the song. This provides the musical core for Hawthorne’s vocals-assisted by an alarm like “video game” counter melodic line. A bridge of the song cuts out the bass synth and concentrates on the melodic one as an orchestral element-returning to the original electronic duet to the closeout of the song-with Hawthorne harmonizing with his own back-round vocals.

One of the things that I appreciate about this song is that it showcases the meatiest possible elements of boogie/electro funk. Jake One seems to possess a keen understanding of how much that style of funk and first generation commercial hip-hop of the early 80’s went hand and hand. The tongue in cheek video,recorded on VHS tape cable access style showcases Hawthorne,Jake One and the band performing the song in an expressionless manner. The actual song expresses a great sense of warmth and vitality in it’s melodic ideas-which lies in contrast to the loping rhythmic funk stomp underneath it all. A powerful example of modern day hard electro/boogie based synth funk.

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Filed under 2015, Billie Jean, Boogie Funk, electro funk, funk revival, Hip-Hop, J Dilla, Jake One, Madlib, Mayer Hawthorne, Peanut Butter Wolf, Stone Throw Records, synth funk, Wax Poetics magazine