Category Archives: John Oates

Hall & Oates,Sharon Jones & Trombone Shorty at Bangor,Maine’s Waterfront Pavilion on July 14th,2016

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Daryl Hall and John Oates provided me with the first pop song I remember hearing in “I Can’t Go For That”. Since their music shaped what I listen for on the radio,it was extremely exciting that these now Rock ‘N Roll Hall Of Famers decided to make a tour stop at Darling’s Waterfront Pavilion,Bangor Maine’s major outdoor concert venue. Attending a Hall & Oates concert with great seats and a price would be amazing in and of itself. But in 2016 they are touring with two of other musical acts that are among the funkiest people at this time: Troy “Trombone Shorty” Andrews and Sharon Jones & The Dap Kings.

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Trombone Shorty was the first act in the set. He and his band were amazing showmen. Especially in Andrew’s facility with both the trombone and cornet.

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The interplay between Andrew’s and his two sax players was incredible. And one of them provided some amazing solos as well.

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Andrew’s conducted his band in the classic jazz/soul tradition of using his body and dancing as a human baton. This really added to the entire showmanship of his show.

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Sharon Jones is a true soul survivor. Her entire performance was based around her still being treated for the cancer that nearly took her life several years ago. Her powerful Tina Turner like vocals and fast,joyous physical moves and dances (plus her bright yellow dress) lit up the stage brighter than the sun that had finally set when she began performing.

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The Dap Kings come to LIFE when their horn section are blowing,especially when seen on the stage when your hearing them in person.

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Of course,no funk band is quite complete with it’s bass/guitar interplay. And the Dap Kings always have that covered!

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Hall & Oates game out to an excited house dancing and singing along. One thing the duo and their amazing onstage band did is present their classic 70’s and 80’s hit songs in new and unique ways. But the people attending the show still loved listening to them.

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Daryl & John seem to have been in different areas of Maine before,especially with Daryl restoring an house in Kittery Point. The duo’s interplay with each other flowed so smoothly-in the way that musicians who’ve played together professionally for over 45 years tends to do. When it began to rain,Daryl kept the audience into the show by saying “It’s raining,but your tough in Maine right?”

 

John Oates and the band’s second guitarist really rocked out on solos and lead lines throughout the show-especially between the songs hooks.

One of the very first things I remembered observing about Hall & Oates was the amazing bands they had throughout their career. Between the bassist,drummer/percussionist and a sax player who was almost as much a star of the show as Daryl and John,their musicality shined brightly as a unit as well as with their amazing songs-among them a jazzy funk live instrumental take of “I Can’t Go For That” which went on for over 8 minutes.


Because the audience was applauding so hard when their names were announced,I never did quite hear the names of Hall & Oates terrific band members. But everyone from that band,Sharon Jones and the Dap Kings and Trombone Shorty were amazing! It is the very first funk/soul revue show I’ve ever seen live in my own hometown. And being able to experience the music,sing it and photograph it is something I will never forget for the rest of my life.

 

 

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Filed under 2016, Bangor Waterfront Pavilion, concerts, Daryl Hall, Funk, Hall & Oates, horns, John Oates, Live music, rock and soul, Sharon Jones & The Dap Kings, Trombone Shorty

Anatomy of THE Groove: “Phunk Shui” by John Oates

Hall & Oates indirectly propagated the first music I remember hearing while in public with their hit “I Can’t Go For That”. John Oates is turning 68 today. He recorded his first single the same year he enrolled at Temple University,where of course he met Daryl Hall. And as for them as a duo,the rest is history. Throughout their decade and a half career peak of being the most commercially successful American duo in rock history,Oates generally only had one or two songs on each of their albums that he sung lead on. While Daryl Hall began a solo career in the mid 1980’s,it would take Oates another 16 years to release his very first solo album,which he entitled Phunk Shui.

Around the time I picked up this album,there was a lot of talk within my family about the Chinese philosophy of Feng Shui. This basically reduces down to harmonizing everyone with their surrounding environment. In that case,it had to do with the structural orientation of doors in our townhouse apartment closing directly onto each other. But seeing the title associated on this John Oates album with the funk music genre,before even hearing the album,reminded me of how much of an effect the energy created by this rhythm based music had on my own spacial orientation. When I finally heard the title song of John Oates album,the whole idea that the title projected completely clicked.

A heavily processed Clavinet sounding keyboard opens the song,before the hit hat kicks in the groove starts right up. The James Brown style rhythm guitar gets going heavy on the refrain. The melody changes up just before the chorus with the organ mixed high while the keyboard sound that opens the song opens up for the choral refrain. Oates sings the song in both the middle,high and bass end of his vocal change. On the bridge of the song,the organ references the descending opening electric sitar of Stevie Wonder’s “Signed,Sealed And Delivered” before going into a rock guitar solo from Oates. This solo continues onward as the chorus repeats to the songs fade.

Considering that live band funk was few and far between from the late 90’s through the 2000’s,this song was a tremendous revelation. It also showcases how important funk was to the success that Hall & Oates had during their late 70’s and early 80’s peak. Songs such as the aforementioned “I Can’t Go For That” and “Method Of Modern Love” both showcase that influence. He mentions P-Funk,Ohio Players,Gap Band and Morris Day as making a huge impact on his sound. Along the way he even brings out how so many contemporary pop acts have neglected funky musicianship just to make money. And that now that “things have gone wrong”,the time has come to relight the funky fire.

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Filed under 2002, drums, Feng Shui, Funk, Hall & Oates, John Oates, keyboards, organ, rhythm guitar, rock guitar, Uncategorized