Category Archives: Kid Creole & The Coconuts

Anatomy of THE Groove: “Endicott” by Kid Creole & The Coconuts

August Darnell got my attention instantly when I first heard Dr. Buzzard & The Original Savannah Band’s “I’ll Play The Fool For You” in the late 1990’s on CD compilation Pure Disco. The first thought I had was that it reminded me of what Duke Ellington’s orchestra would’ve sound like had Duke been alive for the disco era. The song had a heavy swing in with the dance beat to it. And it had that street level mix of wit and elegance so common in the swing era. It instantly got me seeking anything related to Dr. Buzzard or Darnell’s followup ground Kid Creole & The Coconuts.

Darnell himself is something of a man of mystery. He’s a native New Yorker all the way. The Bronx native even went as far as developing the fictitious back round of his Kid Creole character during the 70’s and 80’s,as he become more involved with different musical and theater related projects. Conceptualizing himself as a Caribbean Cab Calloway,his music had the funky eclecticism and conceptually obscurity of both Prince and P-Funk. Only with more if an island twist. One song on the groups 1985 album In Praise Of Older Women And Other Crimes really encompassed this beautifully. It was called “Endicott”.

A round percussion line kicks the song off. The groove itself is pretty much defined by a straight vamp throughout most of it. Its all the funky sweeteners that make it so exciting. The vamp itself is built on a stomping drum,a melodic vibraphone,chicken scratch rhythm guitar and a thick jazzy slap bass line playing very close to that guitar. These are accnted by Darnell’s soulful screams. Darnell’s lead vocals are accented by big band horn charts throughout the song. On brief bridges throughout the song,the female “coconuts” sing lead over the percussive drums. The original vamp of the song then fades it out.

Instrumentally speaking,this song has a Caribbean big band Prince vibe about it all the way. Especially on the rhythm guitar parts. Though the bass line is far thicker than most of Prince’s. Lyrically,this song is so hilarious to me. Endicott is a conceptual character Darnell sings about the whole song. He is willingly self sacrificing to his wife,and is considered an upstanding man. The Coconuts ask Darnell “why can’t you be like Endicott?” to which he sings “because I’m free,free of any made to order liabilities”. Its a wonderfully funky romp through the world of male/female domestic schisms.

 

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Filed under 1985, August Darnell, big band swing, Caribbean Funk, drums, Funk Bass, horns, jazz funk, Kid Creole & The Coconuts, New York, rhythm guitar, vibraphone