The genesis of this post began with my father. Thirteen years ago,he excitedly had me listen to a various artists compilation entitled Cinemaphonic 2: Soul Punch. It consisted of fourteen short funk/soul instrumentals created for British library albums. These were used as incidental music for different television shows and motion pictures. Later on my friend Henry Cooper,himself a musician got me listening to more UK library music through the KPM series. Interestingly enough? One caught my ears through a different source.
One day while surfing YouTube? I came across this old Sesame Street sketch called “Walk”. The backup music thrilled me so much? I looked in the comment section for more on it. Turns out it composed and performed on such a library disc by a session pianist named Alan Hawkshaw-who had backed up acts ranging from the UK rock instrumental group The Shadows in 1969 to playing on Donna Summer’s album Once Upon A Time eight years later. It’s probably the shortest song I’ve done at only 44 seconds. And it’s entitled “U.S.A. Groove”.
It all kicks into with a chunky,bassy rhythm guitar playing the hard rocking basic groove of the song. It’s first accompanied by a short burst of conga’s and than a dramatic organ burst before the drums kick off into the body of the song itself. That body maintains it’s opening guitar riff,only as an element of a broader groove. That groove’s whole consists of a soulful organ solo from Hawkshaw-along with phat percussion pushing everything along. The song ends with a very dramatic crescendo wherein the drum and organ dramatically come to a halt.
After hearing this? It doesn’t come to any surprise to me that Hawkshaw’s music has been widely sampled by hip-hoppers. But only one particular number of his entitled “The Champ” has. Because this particular jam is short and so easily loopable? It’s just the sort of tune for such purposes. It’s also an example of how in the hands of an adept and diversified instrumentalist? As much funk can be packed into a groove under a minute as one would find in a four minute song. It’s actually one of my very favorite funk instrumentals-partly for that very reason.