It wasn’t too long ago that I paid absolutely no mind whatsoever to the musical output of Brian McKnight. He seemed to be one of many groups and soloists who came out of the early/mid 90’s contemporary pop/soul scene. Most of these artists came across as possessing a docile performance ethic. And possessing little to no vocal and/or musical vitality. Without any undue cruelty? These artists didn’t seem capable of creating much in the way of uptempo dance music, let alone anything that was all that funky at all. One night while channel surfing half a decade ago,however? I came across The Brian McKnight Show.
This was an interview show at at contemporary artists involved in the creative process of music. Watching it a bit? McKnight revealed himself to be the same kind of multi instrumentalist (not merely a synthesizer/drum machine programmer),producer and composer he would generally be interviewing on the show. Often showcasing the artists and himself playing piano,bass and guitar? This got me curious enough to seek out some of McKnight’s current music. One such album, More Than Words opened with a song that continued this change of mind in the form of “Don’t Stop”.
Beginning with a jazz fusion style drum roll and synth-horn improvisation,the song goes into a pulsing drum beat (accenting by the snare on one occasion) that is accompanied by a thick,phat and very funky slap bass line mixed right up front. That drum then turns into a rolling dance floor friendly,slow groove while the rhythm guitar comes in to play the higher pitched variation of the bass line right along with it. Along with the fusion like intro introducing each chorus? Not to mention the electric piano accompanied refrain? This groove keeps grinding itself into the listeners subconscious until it finally comes to an end.
While McKnights light (and often mildly over souling) vocal doesn’t add a great deal to the song itself? The way the chunky style bass/guitar funk groove holds up the songs extremely sensuous lyrical content provide some of the heaviest and strongest funk that Brian McKnight has ever produced in his long career. In a similar manner to Trombone Shorty’s “Long Weekend”? This songs slow grinding uptempo groove evokes the work of the underrated Ohio funk band Slave. Especially the bass playing of the late Mark “Mr.Mark” Adams. By focusing more on the instrumental groove than the vocals? This song,as Rique might put it,evokes a hip young middle class black American male circa 1980 driving around in a small car blasting Slave’s song “Watching You”. That plus it’s jazzy flavor make this a high water mark for instrumental funkiness for Brian McKnight