Its been known to me for quite a few years that,even after the crossover potency of funk had diminished on the radio,that the music still had a home on radio and in the record stores of the American South. That extended onward into the 90’s era when the Southern hip-hop sub-genre emerged with acts such as Mystikal,The Goodie Mob and of course OutKast as some of the most thoroughly funk oriented of hip-hoppers of their era. With the emergence of the whole Dap Tone scene during the new millennium,it also seemed that large live funk bands were suddenly becoming the domain of indie record labels-much the same as the earliest music of the original funk and early disco era had actually been. While randomly leafing through the R&B section of the record store,I came across this album. It was a large horn funk band from Nashville,usually known to me as a mecca for country music. It described AJ & The Jiggawatts as a blistering live band. But what would the studio make them out to be on this CD?
Right of the bad with the intro the album is of course abound with fast paced,uptempo horn funk such as “Throw A Fit”,”Get Wild”,”Pushin’ Forward”,”98 Degrees”,”Once And A Lifetime”,”Don’t Mess With Me” and the intense “The Drop”. These numbers are some of the most hyperactive funk I’ve ever heard,since its usually a genre I tend to associate with a slower rhythmic structure. Might be good to use James Brown’s “I’m A Greedy Man” to describe the tempo and flavor of the funk on those songs. “Back Alley Beale St” and “Brown Bottle Fever”,both with a bluesier New Orleans groove,use the lyrical metaphor of intoxication. “Typical Feeling” is a sunny,melodic groove that deals with the virtues of skepticism and reason-citing what sounds like the contemporary climate crisis as an example. “Shake It For Me” has a commanding horn fanfare throughout it while “Pimp Decisions” espouses the virtues of balancing ones needs with those of others while “Stand Up” ends the album (as a bonus track) with some strident,wah wah heavy funky soul.
Musically this is a fantastic album through and through. One of the best things about it is that it updates the sociopolitical lyrical impulses of classic funk for the post Generation X years. The ideas of “do what you want to do” and “come together,people” are superseded with the concepts of reliance on ones own views and abilities. There’s also a strong working class sensibility about the album as well-dealing with people in tight economic situations trying to keep relationships and the like afloat amid their stresses. The musicians,especially the cracker jack horn section are superb. And the production is clean and loose as they come. The only thing I am not 100% taken with is AJ Eason’s singing. While he has a powerful,assertive vocal tone and is an extremely strong songwriter/lyricist? His vocal technique itself is extremely sloppy,similar to the lead singer of the Intruders where he often loses control of his voice and is very badly off key on the choruses. While people probably have their own ideas about Eason’s singing that will differ from mine,its not enough from keeping this a stand up example of a contemporary live band funk juggernaut!
Original Review Written On July 14th,2014
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