Category Archives: Original Stone City Band

Anatomy of THE Groove 3/6/2015-Andre’s Pick: “Turn It Up” by Baby Funk

One of the major things I wanted to do with this blog is to promote new funk bands and soloists with my blogging partner Rique. Particularly indie funk bands,who often need the sort of word of mouth campaign to bring awareness of their music to the people. Last month a lady named Sheli Casana contacted me about a new song that she (under the professional name Baby Funk) had put together called the Original Stone city Band. Featuring members of George Clinton’s P-Funk and the late Rick James’ Stone City Band? They dropped a song called “Turn It Up”. And after repeated listening on my part? Just had to tell you all about this groove.

Starting with a voluminous synthesizer wash from Eddie Fluellen,Nate and Lenise Hughes chime in with a meaty conga based percussive groove after which a big drum kick launches into the main body of the jam. This body consists of a thick and phat interaction between Fluellen’s bass synthesizer  and the high up on the neck rhythm guitar/slap bass of Jerome Ali and Tom McDermott. The interaction of the jazz oriented Baby Funk herself and the bluesy funk  growl  of Mark Love coalesce on a lightly percussive rap where Baby Funk evokes her admiration of the late Teena Marie before going back to the main instrumental themes-now punctuated rhythmically and melodically with ascending/descending horn charts and a rocking lead guitar solo to close out this groove.

It feels important to note that as this blog is being written? Mark Ronson and Bruno Mars’ “Uptown Funk” is still the #1 pop record in America. As I just told Rique in a comment on his blog on this topic yesterday? What matters most to me is not chart statistics but how records like that,as well as Pharrell Williams associated productions like “Happy”,”Blurred Lines” and “Get Lucky”,manage to connect with the people. This song is not only a wonderful example of the massive public appreciation of indie funk in the past half decade or so. But also how it brings together two key players in funk’s transition from the 70’s to the 80’s into it’s actual instrumental orbit-drawing in the influence of George Clinton and Rick James with the channeling of Sly Stone and the Ohio Players horns and vocals into their own distinct flavor of the groove.

Personally? I am extremely proud that a song like this represents the full realization of the original dreams and goals of this blog. Especially the single song oriented weekly feature Anatomy of THE Groove! As Michael Jackson once sang in 1977? Music is a doctor that can cure a troubled mind. Like to hope these grooves not only move,but remove as wel. I would like to give my greatest thanks to my talented and knowledgeable blogging partner Rique for the efforts and inspiration he manages to put into this blog with an extremely busy schedule of his own to upkeep. Would also like give a very special thanks to Sheli Casana for providing me with detailed information on the personnel of her band and all available musical information on them. Stay tuned for Baby Funk/Original Stone City Band’s upcoming website and full album release-available at some pout this spring or summer on CD and MP3.  And don’t forget to check out their live show when and if they travel through your home town. Thank you!

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Filed under Baby Funk, bass synthesizer, Funk, Funk Bass, Jerome Ali, Nu Funk, Original Stone City Band, P-Funk, percussion, Pharrell Williams, Rick James, Teena Marie